Brendan Fraser
Brendan Fraser
Brendan James Fraseris an American-Canadian actor. He played Rick O'Connell in The Mummy trilogy, and is known for his comedy and fantasy film leading roles in films, such as Encino Man, The Scout, George of the Jungle, Looney Tunes: Back in Action, Journey to the Center of the Earthand Inkheart. He also starred in numerous dramatic roles, such as Gods and Monsters, The Quiet American, Crashand Gimme Shelter...
NationalityAmerican
ProfessionMovie Actor
Date of Birth3 December 1968
CityIndianapolis, IN
CountryUnited States of America
It's nice to know that if you've worked really hard at something, it gets recognised with a tick in the success column - however you define that, be it making a bunch of dough, which the actors never see much of, or whether it's a piece that's enlightening or stays with the audience maybe six, seven or even eight or 10 years later.
I wish I could have 25,000 years of my personal family history documented in a very powerful computer or a CD-ROM that I could just pop in and my computer would never crash
The other day, when my 4-year-old saw a flowering tree and said, "Daddy, it's raining petals," that was poetry that just melted my heart into a mushy, yummy Fudgsicle.
I wish I could have 25,000 years of my personal family history documented in a very powerful computer or a CD-ROM that I could just pop in and my computer would never crash.
Forget acting. It's all about rock 'n' roll.
Trying to maintain the energy that came from the cartoons, using that as inspiration, was the biggest challenge I've met so far.
I'm just glad that I have bragging rights to working with Bugs and Daffy.
It's a tale that I believe ultimately speaks of good parenting and what it means to honor one's parents.
It's a departure for me, ... I can't walk through the airport in Singapore without a little kid hanging on my leg saying, 'George! George!'
While green-screen work, find a way to stay true to whatever it is that it takes to act a scene out, and make sure that you use your imagination as best as you possibly can, still stay loose, and still allow yourself the liberty of doing what you need to do as an actor, and then work within the confines of what is actually possible.
The dimensionality of 3D, the depth of field, the dynamism... it's an immersive experience. And on top of that it's great because the new glasses don't make you want to throw up and they don't give you paper cuts!
I felt a gravitational pull to the material so that there's a certain element of acting that's not really necessary. I've really liked this in foreign movies before or I've observed others working with them and I've noticed that there's a method that goes on where the actors try and get the children, like the child actor, to interact with them in a real way. It seems like you're the adult trying to get the kid to fall in love with him.
I'm starting to judge success by the time I have for myself, the time I spend with family and friends. My priorities aren't amending; they're shifting.
When you throw punches at actors, you stop, you pull it, and it looks like you pulled it. When you throw punches at cartoon characters, they are not there, so you can swing through. It looks like you really decked them