Bjork
Bjork
Björk Guðmundsdóttir, known mononymously as Björk, is an Icelandic singer-songwriter. Over her three-decade career, she has developed an eclectic musical style that draws on a wide range of influences and genres spanning electronic, pop, experimental, trip hop, dance, classical, and avant-garde styles. She initially became known as the lead singer of the alternative rock band The Sugarcubes, whose 1987 single "Birthday" was a hit on US and UK indie stations and a favorite among music critics. Björk embarked on a...
ProfessionPop Singer
Date of Birth21 November 1965
CityReykjavik, Iceland
I find it very difficult to draw a line between what's sex and what isn't. It can be very, very sexy to drive a car, and completely unsexy to flirt with someone at a bar.
If I had a philosophy, it's that I support the beautiful side of anarchy.
The relationship changes as you learn more about people, and the work sort of takes on its own life. I enjoy this very much.
I sometimes fall into the trap of doing what I think I should be doing rather than what I want to be doing.
I get obsessed by little nerdy things in my corner that no one else is interested in.
Being a musician is very easy. My house is full of musical instruments. There's a lot of music, always.
I'm self-sufficient. I spend a lot of time on my own and I shut off quite easily. When I communicate, I communicate 900 per cent, then I shut off, which scares people sometimes.
For a person as obsessed with music as I am, I always hear a song in the back of my head, all the time, and that usually is my own tune. I've done that all my life.
In school, I guess I was a difficult, know-it-all type of student... I was always complaining that music education was too academic.
[As a kid] I felt it was really weird that music schools behaved like a conveyor belt to make performers for those symphony orchestras. If you were really good and practiced your violin for a few hours a day for ten years you might be invited to this VIP elite club. For me music was not about that. It is about freedom and expression and individuality and impulsiveness and spontaneity. It wasn't so Apollonian; it was more Dionysian.
There's no map to human behaviour.
People from the rock and roll world have felt for years that electronic music had no soul, but now electronic music can not only have soul but have all the shapes in the world.
Kids draw masterpieces - they're the best painters ever. I think the same with music. They could totally write amazing music if they just had the right tools. It's important at that age to set up something, and then maybe afterwards you can go study your violin for 500 hours a week. But at least in the beginning you know about the options.
Our times seem to be so much about redefining where we are physical and where we're not. For me, it is really exciting to take the cutting edge technology and take it as far as it can get virtually, use it to describe/control the musicology or the behavior of raw natural elements, and then plug it with a sound source which is the most acoustic one there is - like gamelan and pipe organ. So you get the extremes: very virtual and very physical. In that way you shift the physicality.