Bill Watterson

Bill Watterson
William Boyd "Bill" Watterson IIis an American cartoonist and the author of the comic strip Calvin and Hobbes, which was syndicated from 1985 to 1995. Watterson stopped drawing Calvin and Hobbes at the end of 1995 with a short statement to newspaper editors and his readers that he felt he had achieved all he could in the medium. Watterson is known for his negative views on licensing and comic syndication and his move back into private life after he stopped...
NationalityAmerican
ProfessionCartoonist
Date of Birth5 July 1958
CountryUnited States of America
I go to school, but I never learn what I want to know.
Getting an inch of snow is like winning 10 cents in the lottery.
Calvin : There's no problem so awful, that you can't add some guilt to it and make it even worse.
I'd like to see cartoonists measuring their work by higher standards than how many papers their strips are in and how much money they make.
You will do well to cultivate the resources in yourself that bring you happiness outside of success or failure.
You know, sometimes the world seems like a pretty mean place.' 'That's why animals are so soft and huggy.
A real job is a job you hate.
I'd always enjoyed the comics more, and felt that as long as I was unemployed it would be a good chance to pursue that and see what response I could get from asyndicate, as I didn't have anything to lose at that point. So I drew up a comic strip - this was in 1980 - and sent it off and got rejected. I continued that for five years with different comic strip examples 'til finally Calvin and Hobbes came together. But it's been a long road.
I like these cold, gray winter days. Days like these let you savor a bad mood.
It's gratifying to hear that from people who care about comic art. I never know what to make of it when someone writes to say, "Calvin and Hobbes is the best strip in the paper. I like it even more than Nancy."
I tell you all this because it's worth recognizing that there is no such thing as an overnight success. You will do well to cultivate the resources in yourself that bring you happiness outside of success or failure. The truth is, most of us discover where we are headed when we arrive. At that time, we turn around and say, yes, this is obviously where I was going all along. It's a good idea to try to enjoy the scenery on the detours, because you'll probably take a few.
The whole idea of hobknobbing and schmoozing and the concept of an "elite" class of celebrities better than the common people has always made my stomach turn.
I've always tried to make the strip animated, even when the characters aren't moving, with expressions or perspectives or some sort of exaggeration. There's great potential for that which has yet to be fully mined.
If you've got more ambiguous characters or stock stereotypes, the plastic comes through and they don't work as well.