Bat for Lashes
Bat for Lashes
Natasha Khan, better known by her stage name Bat for Lashes, is an English singer, songwriter and multi-instrumentalist. She has released four studio albums, Fur and Gold, Two Suns, The Haunted Manand The Bride, and received Mercury Prize nominations for Fur and Gold and Two Suns. Khan is also the vocalist for Sexwitch, a collaboration with the rock band Toy and producer Dan Carey...
NationalityEnglish
ProfessionMusician
Date of Birth25 October 1979
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'The Haunted Man' is about communication barriers between men and women, and in that song it's a woman's wait for her husband to come back from war. The vision for me was of a group of men and women on the opposite sides of two cliffs, trying to move or sing to each other and communicate, but they're kind of misfiring.
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There's a part of me that wishes I could go out in T-shirt and jeans, 'cause I really love Patti Smith, Cat Power, girls who look so casual; that appeals to me 'cause I guess it's the opposite from what I do. But I can never let myself just do that - I always have to try and dress up and create something.
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I was a nursery school teacher, and I worked with youth groups. I loved that job. It was exhausting, but you got a lot back - all their purity and insight and innocence is so on the surface, and they're so unrepressed; they'd really scream at you and then give you a massive kiss.
I want to communicate to the everyday person. I don't want to just roll around in my own avant-garde pool of coolness.
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I feel empathy for people who are trapped in a prison of self-consciousness in an uncomfortable way. We can be free, but we're so held back. So perhaps that's why I feel a duty to make my work. I feel liberated when I'm doing it, and I want other people to feel liberated through it.
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I want to add something worthwhile rather than just chucking loads of stuff into the world. I don't want to feel responsible for adding to the soup of mediocrity.
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I could talk for ages about how women are amazing, but essentially we shouldn't be manipulated by the media's expectations of our bodies. I'd recommend every woman to read 'Women Who Run with the Wolves' - it's about being in touch with your more wild, free and powerful side.
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I cry a lot when I feel empathy. I can feel heartbroken by life, and I cry quite easily, sometimes for no reason. It's healthy, I think.
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I don't like to be too submissive in the way I dress. I like quite boyish things, so I hardly ever wear high heels.
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I had Hallowe'en parties every year, as it was my birthday five days before. My parents would actually put prosthetic noses on, and my dad would wear a top-hat and tails, put on a fake curly moustache, and hold a pipe.
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When I finally finished the 'Two Suns' tour, which went on for quite a long time, I felt like a bit of a husk. And I remember thinking, 'I need to spend some time in one place, and just be at home.' So I guess the first year of that three and a half years was spent just trying to kind of get back to normal again.
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The way you wield your power is about using it to afford you opportunities that you wouldn't otherwise have. So I'm very creatively ambitious, and I just hope people notice it; that's all I want.
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The record company doesn't know what to do with me, because I'm not a Lily Allen, but I'm not really an indie artist, either. All the best artists have been in the middle.
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The first album I started out, I just did everything completely alone. I think it has to do with confidence. The more confidence you develop in your own sound, the more you can open up and alchemize that with other people, just set it free, and not feel challenged by that.