Barbara Kingsolver
Barbara Kingsolver
Barbara Kingsolveris an American novelist, essayist and poet. She was raised in rural Kentucky and lived briefly in the Congo in her early childhood. Kingsolver earned degrees in biology at DePauw University and the University of Arizona and worked as a freelance writer before she began writing novels. Her widely known works include The Poisonwood Bible, the tale of a missionary family in the Congo, and Animal, Vegetable, Miracle, a non-fiction account of her family's attempts to eat locally...
NationalityAmerican
ProfessionNovelist
Date of Birth8 April 1955
CountryUnited States of America
Our holiday food splurge was a small crate of tangerines, which we found ridiculously thrilling after an eight-month abstinence from citrus.... Lily hugged each one to her chest before undressing it as gently as a doll. Watching her do that as she sat cross-legged on the floor one morning in pink pajamas, with bliss lighting her cheeks, I thought: Lucky is the world, to receive this grateful child. Value is not made of money, but a tender balance of expectation and longing.
There was a roaring in my ears and I lost track of what they were saying. I believe it was the physical manifestation of unbearable grief.
To people who think of themselves as God's houseguests, American enterprise must seem arrogant beyond belief. Or stupid. A nation of amnesiacs, proceeding as if there were no other day but today. Assuming the land could also forget what had been done to it.
I considered her my ally, because, like me, she was imperfect.
I learned to write by reading the kind of books I wished I'd written.
With all due respect for the wondrous ways people have invented to amuse themselves and one another on paved surfaces, I find that this exodus from the land makes me unspeakably sad. I think of the children who will never know, intuitively, that a flower is a plant's way of making love, or what silence sounds like, or that trees breathe out what we breathe in.
Eaters must understand, how we eat determines how the world is used.
Because I could not stop for death he kindly stopped for me, or paused at least to strike a glancing blow with his sky-blue mouth as he passed.
Many of us who aren't farmers or gardeners still have some element of farm nostalgia in our family past, real or imagined: a secret longing for some connection to a life where a rooster crows in the yard.
I learned to produce whether I wanted to or not. It would be easy to say oh, I have writer's block, oh, I have to wait for my muse. I don't. Chain that muse to your desk and get the job done.
I’ve seen how you can’t learn anything when you’re trying to look like the smartest person in the room.
...prodigal summer, the season of extravagant procreation. It could wear out everything in its path with its passionate excesses, but nothing alive with wings or a heart or a seed curled into itself in the ground could resist welcoming it back when it came.
Don't wait for the muse. She has a lousy work ethic. Writers just write.
But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after - oh, that's love by a different name. She is the babe you hold in your arms for an hour after she's gone to sleep. If you put her down in the crib, she might wake up changed and fly away. So instead you rock my the window, drinking the light from her skin, breathing her exhaled dreams. Your heart bays to the double crescent moons of closed lashes on her cheeks. She's the one you can't put down.