Barbara Kingsolver
Barbara Kingsolver
Barbara Kingsolveris an American novelist, essayist and poet. She was raised in rural Kentucky and lived briefly in the Congo in her early childhood. Kingsolver earned degrees in biology at DePauw University and the University of Arizona and worked as a freelance writer before she began writing novels. Her widely known works include The Poisonwood Bible, the tale of a missionary family in the Congo, and Animal, Vegetable, Miracle, a non-fiction account of her family's attempts to eat locally...
NationalityAmerican
ProfessionNovelist
Date of Birth8 April 1955
CountryUnited States of America
Maybe he's been in Africa so long he has forgotten that we Christians have our own system of marriage, and it is called Monotony.
Most of the girls my age, or even younger, have babies. They appear way too young to be married, till you look in their eyes. Then you'll see it. Their eyes look happy and sad at the same time, but unexcited by anything, shifting easily off to the side as if they've already seen most of what there is. Married eyes.
But Anatole said suddenly, 'Don't expect God's protection in places beyond God's dominion. It will only make you feel punished. I'm warning you. When things go bad, you will blame yourself.' 'What are you telling me?' 'I am telling you what I'm telling you. Don't try to make life a mathematics problem with yourself in the center and everything coming out equal. When you are good, bad things can still happen. And if you are bad, you can still be lucky.
Of the two hundred bones in the human body, more than a quarter are in the foot. It is a more complicated instrument than an automobile transmission, and it is treated with far less consideration.
Want is a thing that unfurls unbidden like fungus, opening large upon itself, stopless, filling the sky. But needs, from one day to the next, are few enough to fit in a bucket, with room enough left to rattle like brittle brush in a dry wind.
The moth settled onto the curtain and sat still. It was an astonishing creature, with black and white wings patterned in geometric shapes, scarlet underwings, and a fat white body with black spots running down it like a snowman's coal buttons. No human eye had looked at this moth before; no one would see its friends. So much detail goes unnoticed in the world.
Back then I was still appalled that God would set down his barefoot boy and girl dollies into an Eden where, presumably, He had just turned loose elephantiasis and microes that eat the human cornea. Now I understand, God is not just rooting fo the dollies.
If you never stepped on anybody's toes, you never been for a walk.
She is inhumanly alone. And then, all at once, she isn't.
Sugar, it's no parade but you'll get down the street one way or another, so you'd just as well throw your shoulders back and pick up the pace.
In Kilanga, people knew nothing of things they might have had - a Frigidaire? a washer-dryer combination? Really, they'd sooner imagine a tree that could pull up its feet and go bake bread. It didn't occur to them to feel sorry for themselves.
You see mother, you had no life of your own. They have no idea. One has only a life of one's own.
What we lose in our great human exodus from the land is a rooted sense, as deep and intangible as religious faith, of why we need to hold on to the wild and beautiful places that once surrounded us.
It feels strange to me to be living in a box, hiding from the steadying influence of the moon; wearing the hide of a cow, which is supposed to be dyed to match God-knows-what, on my feet; making promises over the telephone about things I will do at a precise hour next year.