August Wilson
August Wilson
August Wilsonwas an American playwright whose work included a series of ten plays, The Pittsburgh Cycle, for which he received two Pulitzer Prizes for Drama. Each is set in a different decade, depicting the comic and tragic aspects of the African-American experience in the 20th century...
NationalityAmerican
ProfessionPlaywright
Date of Birth27 April 1945
CityPittsburgh, PA
CountryUnited States of America
belly burst butcher capacity churches city claws dared devoured dream europe funeral hard honest hospitals immigrants itself limited man money near nourished offered sewing shops solid tenacious thousand turn until won
Near the turn of the century, the destitute of Europe sprang on the city with tenacious claws and an honest and solid dream. The city devoured them. They swelled its belly until it burst into a thousand furnaces and sewing machines, a thousand butcher shops and bakers' ovens, a thousand churches and hospitals and funeral parlors and money lenders. The city grew. It nourished itself and offered each man a partnership limited only by his talent, his guile and his willingness and capacity for hard work. For the immigrants of Europe, a dream dared and won true.
blessed hand lived throw
It's not like poker: You can't throw your hand in. I've lived a blessed life. I'm ready.
far york
it was as far away from New York as I could get.
cattle former good poems series stage suggested turn wrote
In 1977, I wrote a series of poems about a character, Black Bart, a former cattle rustler-turned-alchemist. A good friend, Claude Purdy, who is a stage director, suggested I turn the poems into a play.
audience bear drew fascinated gather people theater virtues willingly
I think it was the ability of the theater to communicate ideas and extol virtues that drew me to it. And also, I was, and remain, fascinated by the idea of an audience as a community of people who gather willingly to bear witness.
best blues plays private rewriting says singer streets walked wrote
I once wrote a short story called 'The Best Blues Singer in the World,' and it went like this: 'The streets that Balboa walked were his own private ocean, and Balboa was drowning.' End of story. That says it all. Nothing else to say. I've been rewriting that same story over and over again. All my plays are rewriting that same story.
came decided dollar magazine next paid putting seemed sent stopped wrote
It was early on in 1965 when I wrote some of my first poems. I sent a poem to 'Harper's' magazine because they paid a dollar a line. I had an eighteen-line poem, and just as I was putting it into the envelope, I stopped and decided to make it a thirty-six-line poem. It seemed like the poem came back the next day: no letter, nothing.
definitely needed order refuge
Writing has definitely been a refuge for me, something I needed to do in order to survive.
attitude character play
Blues is the bedrock of everything I do. All the characters in my plays, their ideas and their attitudes, the stance that they adopt in the world, are all ideas and attitudes that are expressed in the blues.
mean writing play
The impulse to write the poem, that impulse is a great dramatic impulse. But hell, anybody could write a play. I do know this: all writers are not dramatists. You may be a great writer, but that doesn't necessarily mean you're a dramatist. Very few people have done both.
book needs
All you need is the blues. To me, the blues is the book, it's the bible, it's everything.
heavy shoulders
Freedom is heavy. You got to put your shoulder to freedom. Put your shoulder to it and hope your back holds up.
death fastballs corners
Death ain't nothing but a fastball on the outside corner.
creativity thinking input
I think that as a playwright, if I detail that environment, then I'm taking away something from them [designers]. I'm taking away their creativity and their ability to have input themselves, not just to follow what the playwright has written. So I do a minimum set description and let the designers create within that.