Ashwin Sanghi

Ashwin Sanghi
Ashwin Sanghiis an Indian writer in the fiction-Thriller genre. He is the author of three best-selling novels: The Rozabal Line, Chanakya's Chant and The Krishna Key. All his books have been based on historical, theological and mythological themes. He is one of India's best-selling conspiracy fiction writers and is an author of the new era of retelling Indian history or mythology in a contemporary context. Forbes India has included him in their Celebrity 100 list. His upcoming novel, The Sialkot...
NationalityIndian
ProfessionAuthor
Date of Birth25 January 1969
CountryIndia
'Rozabal' was theological while 'Chanakya' is political. Unlike 'Rozabal,' which was about research, the aim of 'Chanakya' is plot, plot, plot, which carries the character. The common DNA, of course, is history.
A western audience might not appreciate 'Chanakya's Chant' because of its dependence on history and ancient statecraft. My book is a modern-day thriller that draws on a bedrock of history. My primary object is to entertain, not educate.
Mythology is a set of primitive lies that people rarely believe. This is rather different from history, which is a set of lies that people actually believe.
In India, we never distinguished between history and myth. Our Puranas as well as Itihasas contain fantastical tales. They are lies that convey deeper truths.
Mythology does not interest me. Nor does history. But the possible overlap between history and mythology excites me immensely.
Combine two words, Myth and History. What do you get? Mystery.
Conspiracies fascinate me. When I visited the Rozabal shrine in Srinagar before writing my first book, I remember thinking that the person enshrined there was no ordinary mortal. History is rife with mysteries, and that visit ignited a fire to unveil some of them.
It is not history, theology or mythology that interest me. It is the fact that history, theology or mythology could have alternative interpretations or explanations. I try to connect the dots between the past and the present.
Writing is possibly an art, but crime writing is definitely a craft.
Till the time I found a creative outlet, I was trying to be extra creative at business, which would always put me in a situation of conflict with other stakeholders. The moment I started writing, my creative impulses were finally channelised.
That freedom of writing you don't get in other formats, I'd rather leave it to someone else to deal with the headache of drafting my book into a screenplay.
My self-publishing adventure led to my work being picked up by a traditional publisher and eventually hitting the bestseller lists. That led to two more bestselling novels.
An author entices the readers with their words, and it is painful for them to even lose a sentence. But films and books are two different mediums and should be dealt differently. What works in a book might not work for a film. When I saw 'Anna Karenina' on screen, I didn't like it at all, whereas 'The Godfather' was legendary.
There are three things I look for in a story - it has to be a thriller; I cannot see myself writing literary fiction or a saga! There has to be a historical connection; otherwise, the adrenalin will not flow. And I will try to bridge the gap between 'Rozabal' and 'Chanakya'.