Anne Tyler
Anne Tyler
Anne Tyleris a Pulitzer Prize-winning American novelist, short story writer, and literary critic. She has published 20 novels, the best known of which are Dinner at the Homesick Restaurant, The Accidental Tourist, and Breathing Lessons. All three were finalists for the Pulitzer Prize for Fiction with Breathing Lessons winning the prize for 1989. She has also won the Janet Heidinger Kafka Prize, the Ambassador Book Award, and the National Book Critics Circle Award. In 2012 she was awarded The Sunday...
NationalityAmerican
ProfessionNovelist
Date of Birth25 October 1941
CountryUnited States of America
I never think about the actual process of writing. I suppose I have a superstition about examining it too closely.
For me, writing something down was the only road out...I hated childhood, and spent it sitting behind a book waiting for adulthood to arrive. When I ran out of books I made up my own. At night, when I couldn't sleep, I made up stories in the dark.
The first-person viewpoint is more enjoyable to write, because it lets me meander more freely, and it can reveal more of the character's self-delusions. Really all the advantages are with first-person, so I'm sorry I don't get to pick and choose.
There's surprisingly little difference between writing from a male angle and from a female angle, but I feel more restricted in my language when I'm writing as a male character because males tend to sound less emotionally expressive than females.
I'll write maybe one long paragraph describing the events, then a page or two breaking the events into chapters, and then reams of pages delving into my characters. After that, I'm ready to begin
I'm too shy for personal appearances, and I've found out that anytime I talk about my writing, I can't do any writing for many weeks afterward.
I would advise any beginning writer to write the first drafts as if no one else will ever read them - without a thought about publication - and only in the last draft to consider how the work will look from the outside.
I write because I want more than one life; I insist on a wider selection. It’s greed, plain and simple. When my characters join the circus, I’m joining the circus. Although I’m happily married, I spent a great deal of time mentally living with incompatible husbands.
Once your mind is caught on the right snag, there's nothing so hard about the mechanics of writing.
My writing day has grown shorter as I've aged, although it seems to produce the same number of pages.
I write because I want to have more than one life.
I have spent so long erecting partitions around the part of me that writes - learning how to close the door on it when ordinary lfe intervenes, how to close the door on ordinary life when it's time to start writing again - that I'm not sure I could fit the two parts of me back together now.
Mostly it's lies, writing novels. You set out to tell an untrue story and you try to make it believable, even to yourself. Which calls for details; any good lie does.
The hardest novel to write was Dinner at the Homesick Restaurant.