Anne Morrow Lindbergh
Anne Morrow Lindbergh
Anne Spencer Lindberghwas an American author, aviator, and the wife of aviator Charles Lindbergh. She was an acclaimed author whose books and articles spanned the genres of poetry to non-fiction, touching upon topics as diverse as youth and age; love and marriage; peace, solitude and contentment, as well as the role of women in the 20th century. Lindbergh's Gift from the Sea is a popular inspirational book, reflecting on the lives of American women...
NationalityAmerican
ProfessionWriter
Date of Birth22 June 1906
CountryUnited States of America
I believe that true identity is found . . . in creative activity springing from within. It is found, paradoxically, when one loses oneself. Woman can best refind herself in some kind of creative activity of her own.
Geniuses were like storms or cyclones, pulling everything into their path, sticks and stones and dust.
The nicest gifts are those left, nameless and quiet, unburdened with love, or vanity, or the desire for attention.
The ball of rumor and criticism, once it starts rolling, is difficult to stop.
there is no aristocracy of grief. Grief is a great leveler.
I should like to be a full-time Mother and a full-time Artist and a full-time Wife-Companion and also a 'Charming Woman' on the side! And to be aware and record it all. I cannot do it all. Something must go - several things probably. The 'charming woman' first!
life itself is always pulling you away from the understanding of life.
I can conceive of 'falling in love' over and over again. But 'marriage,' this richness of life itself, I cannot conceive of having again - or with anyone else. In this sense 'marriage' seems to me indissoluble.
The best marriages, like the best lives, were both happy and unhappy. There was even a kind of necessary tension, a certain tautness between the partners that gave the marriage strength, like the tautness of a full sail. You went forward on it.
For is it not possible that middle age can be looked upon as a period of second flowering, second growth, even a kind of second adolescence? It is true that society in general does not help one accept this interpretation of the second half of life.
I am very fond of the oyster shell. It is humble and awkward and ugly. It is slate-colored and unsymmetrical. Its form is not primarily beautiful but functional. I make fun of its knobbiness. Sometimes I resent its burdens and excrescences. But its tireless adaptability and tenacity draw my astonished admiration and sometimes even my tears. And it is comfortable in its familiarity, its homeliness, like old garden gloves when have molded themselves perfectly to the shape of the hand. I do not like to put it down. I will not want to leave it.
I would like to achieve a state of inner spiritual grace from which I could function and give as I was meant to in the eye of God.
We insist on permanency, on continuity, when the only continuity possible is in growth, in freedom, in the sense that the dancers are free, barely touching as they pass but partners in the same pattern. The only real security in a relationship lies neither in looking back in nostalgia, nor forward with dread or anticipation, but living in the present and accepting the relationship as it is now.
It is only in solitude that I ever find my own core.