Anna Quindlen
Anna Quindlen
Anna Marie Quindlenis an American author, journalist, and opinion columnist whose New York Times column, Public and Private, won the Pulitzer Prize for Commentary in 1992. She began her journalism career in 1974 as a reporter for the New York Post. Between 1977 and 1994 she held several posts at The New York Times...
NationalityAmerican
ProfessionNon-Fiction Author
Date of Birth8 July 1952
CityPhiladelphia, PA
CountryUnited States of America
new-york party moving
There's a certain kind of conversation you have from time to time at parties in New York about a new book. The word "banal" sometimes rears its by-now banal head; you say "underedited," I say "derivative." The conversation goes around and around various literary criticisms, and by the time it moves on one thing is clear: No one read the book; we just read the reviews.
teenager moving kids
There are a million moving parts to raising kids, and you can't always anticipate them all, especially when they are teenagers and their peers play such a huge role in their lives. If you offer independence, there is one kind of pitfall; if you shelter them too much, there is another. And sometimes you do everything right and something bad just happens. It's as simple, and as scary, as that.
moving long comforting
You can get rid of the column. It's a little like staying at a hotel; you get used to the shape of the room, and then you're gone. With a novel you move into town and stay for a long time. That's both comforting and terrifying.
moving creativity boredom
Down time is where we become ourselves... a hiatus that passes for boredom but is really the quiet moving of the wheels inside that fuel creativity.
moving thinking government
So I do think sometimes the political mechanism is completely disconnected from the people. However, what I will say is that history tells us that whenever things start to move too fast, whenever progress makes people feel a little breathless, one of the go-to spots that government, that the ruling powers that society goes to is to try to repress women.
moving careers may
So carry your courage in an easily accessible place, the way you do your cellphone or your wallet. You may still falter or fail, but you always know that you pushed hard and aimed high. Take a leap of faith. Fear not. Courage is the ultimate career move.
jobs moving decisions-you-make
You realize that these accidental decisions you make about changing jobs, about moving into an apartment where you make new friends and confidants, about going to one city over another, that sometimes they're completely arbitrary decisions that you haven't put as much thought into as perhaps you should have, and yet they change the course of your whole life.
moving past thinking
I really feel like if you can get past your fear, if you can say, "Uh-uh, I'm afraid to do that and I'm going to do it anyhow," that that's really the way to have a satisfying life moving forward. I think I had that kind of fearlessness even as a young person. It wasn't tempered by experience or wisdom, but it took me a long way.
american-journalist children consists decorating design grew mostly people
I would be most content if my children grew up to be the kind of people who think decorating consists mostly of building enough bookshelves.
men dedication self
It is difficult for me to imagine the same dedication to women's rights on the part of the kind of man who lives in partnership with someone he likes and respects, and the kind of man who considers breast-augmentation surgery self-improvement.
life-is sometimes easy
The truth about your own life is not always easy to accept, and sometimes hasn't even occurred to you.
family writing thinking
I can't think of anything to write about except families. They are a metaphor for every other part of society.
teenager feminist world
I've been a feminist since I was a teenager, but originally it was because I wanted to make the world a better place for me.
years world lasts
Over the last twenty years, we've changed the world just enough to make it radically different, but not enough to make it work.