Andy Serkis
Andy Serkis
Andrew Clement "Andy" Serkisis an English film actor, director and author. He is best known for his performance capture roles comprising motion capture acting, animation and voice work for such computer-generated characters as Gollum in The Lord of the Rings film trilogyand The Hobbit: An Unexpected Journey, the eponymous King Kong in the 2005 film, Caesar in Riseand Dawn of the Planet of the Apes, Captain Haddock / Sir Francis Haddock in Steven Spielberg's The Adventures of Tintinand Supreme Leader...
NationalityEnglish
ProfessionMovie Actor
Date of Birth20 April 1964
CityLondon, England
My agent told me they were casting for the voice of Gollum. I hadn't read The Lord of the Rings, but I read the script and realized what an amazing role it was. I developed a voice for the audition tape, then met Peter Jackson and Fran Walsh at the auditions and fell in love with them both.
I think he (director, Peter Jackson) was originally going to have Kong kill Lumpy. Instead he gave me a role who finally gets devoured by computer graphics ? I don't know whether that is a comment or not.
I think the actors in 'Greystoke' were amazing. They had a really good performance coach called Peter Elliott who's, of his time, one of the greatest simian performance coaches for actors.
Working with and collaborating with and for Peter Jackson was an incredible experience because he is such a phenomenal filmmaker.
When I first came out to New Zealand for principal photography, the focus was on voicing Gollum. But Peter wanted Gollum to be the most interactive digital character ever made for a movie, with a combination of live action and digital animation.
When you have children, you realize that at the end, it's all about passing on, about handing down.
What's wonderful about Tolkien and Shakespeare is that they show up your own individual microscope. They're so infinitely vast. You can reinterpret them in so many ways. Each age will have its own resonance with Lord of the Rings.
When you have children, you realize that at the end it's all about passing on, about handing down. The process of letting go, not attachment, but appreciating the beauty and value in the change, the transformation.
Performance capture is a genre of acting which is not going to go away, it's going to proliferate more and more. I'm passionate about it, and I love it. It's the most liberating tool an actor has, because you are not limited by your own physicality, look, or color of your eyes.
I believe that when people experience an event as a community it can transcend and change people's lives.
(The) process of acting is no different to conventional screen acting, in that it's providing a perfect interface between the director and the performer. So there's no sort of long way around a viral committee of animators.
The difference between the big budget films I've done is the length of time. But in terms of the day-to-day, you're still going on to set, you're getting into character, and you're going and doing your job, so there's absolutely no difference. It's just the structure around it and the length of time. But in terms of budget and money, it doesn't really manifest itself.
My sons have to learn that you take the rough with the smooth and they've seen a lot of smooth in the years that they've been around. They didn't see the early years. But both my mum and myself are actors and we constantly tell them it's not easy. But they understand that.
But the first time I had to stand up and sing with them was when we did the pre-record for the movie and it was that moment where I sort of said to myself: "S**t, now I actually have to do this and I have to stand up and do my stars in your eyes moment!" Wake Up and Make Love With Me was the first song and I thought: "Here we are with Chaz and all the boys..."