Andrew Motion
Andrew Motion
Sir Andrew Motion, FRSLis an English poet, novelist, and biographer, who was Poet Laureate of the United Kingdom from 1999 to 2009. During the period of his laureateship, Motion founded the Poetry Archive, an online resource of poems and audio recordings of poets reading their own work. In 2012, he became President of the Campaign to Protect Rural England, taking over from Bill Bryson...
NationalityEnglish
ProfessionPoet
Date of Birth26 October 1952
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If I were to die thinking that I'd written three poems that people might read after me, I would feel that I hadn't lived in vain. Great poets might expect the whole body of their work, but most of us - well, I would settle for a handful.
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Well, it's a badge of honour for any self-respecting poet to be criticized by Auberon Waugh. But in a lot of ways my poems are very conventional, and it's no big deal for me to write a poem in either free verse or strict form; modern poets can, and do, do both.
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Pretty much the day I stopped being laureate, the poems that had been few and far between came back to me, like birds in the evening nesting in a tree.
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Keats writes better about poems than anybody I've ever read. The things that he says about what he wants his own poems to be are the ideals that I share.
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I wish I'd been better able to resist the sense of obligation to write some of the poems I did. It's in the nature of commissioned work to be written too much from the side of your mind that knows what it's doing, which dries up the poetry.
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The best public poems aren't necessarily those that go at the subject like a bull at a gate.
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Thanks partly to the kind of poets that we now have and partly to funding, there's been a gigantic shift in the way poetry is perceived... Poems on the Underground, poets in schools, football clubs, zoos.
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Actors may (or may not) read poems well, but poets have unique rights to their work, and unique insights and interests to offer as we hear their idiom, pacing, tone and emphases,
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Broodingly suggestive of Donne's intellectual figure as well as his witty sensuality, it is also a picture of great intrinsic beauty and the bewitching evocation of an age. The National Portrait Gallery is its natural home. The picture is cheap at the price, and if we don't buy it someone else will.
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I write between 5.30am and 9.00. That way, I hope I carry over something from my dream time.
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It is extremely desolating news that he should have died when he was only 68 and always seemed so much younger,
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I wanted to reimagine the role, in a way that was respectful of its traditional responsibilities but made them part of a wider pattern of poetry about national incidents, events, preoccupations; and to spend a great deal of time going to schools trying to demystify poetry.
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I've always thought that the balance between the side of my mind that knows what it is doing and the side that really hasn't got a clue has to be carefully maintained because if you write too knowingly then you get chilly, and if you write too unknowingly you write bollocks that nobody else can understand.
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I'm not much given to making shamanistic remarks about all this, but I'm a great believer in the dream life. If I can carry without spilling whatever it is that drips into my head in the night to my desk, then that's valuable.