Anais Nin

Anais Nin
Anaïs Ninwas an essayist and memoirist born to Cuban parents in France, where she was also raised. She spent some time in Spain and Cuba but lived most of her life in the United States where she became an established author. She wrote journals, novels, critical studies, essays, short stories, and erotica. A great deal of her work, including Delta of Venus and Little Birds, was published posthumously...
NationalityAmerican
ProfessionNovelist
Date of Birth21 February 1903
CityNanterre, France
CountryUnited States of America
Don't say anything, because I see that you understand me, and I am afraid of your understanding. I have such a fear of finding another like myself, and such a desire to find one! I am so utterly lonely, but I also have such a fear that my isolation be broken through, and I no longer be the head and ruler of my universe. I am in great terror of your understanding by which you penetrate into my world; and then I stand revealed and I have to share my kingdom with you.
Every individual is representative of the whole . . . and should be intimately understood, and this would give a far greater understanding of mass movements and sociology.
Everything with me is either worship and passion or pity and understanding. I hate rarely, though when I hate. I hate murderously.
I am in great terror of your understanding by which you penetrate into my world; and then I stand revealed and I have shared my kingdom with you.
The value of the personal relationship to all things is that it creates intimacy and intimacy creates understanding and understanding creates love.
Do not seek the because - in love there is no because, no reason, no explanation, no solutions.
Each friend represents a world in us, a world possibly not born until they arrive, and it is only by this meeting that a new world is born.
You live like this, sheltered, in a delicate world, and you believe you are living. Then you read a book(Lady Chatterley, for instance), or you take a trip, or you talk with Richard, and you discover that you are not living, that you are hibernating. The symptoms of hibernating are easily detectable: first, restlessness. The second symptom(when hibernating becomes dangerous and might degenerate into death): absence of pleasure. That is all. It appears like an innocuous illness. Monotony, boredom, death. Millions live like this(or die like this) without knowing it. They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death.
To change skins, evolve into new cycles, I feel one has to learn to discard. If one changes internally, one should not continue to live with the same objects. They reflect one's mind and the psyche of yesterday. I throw away what has no dynamic, living use.
There came a time when the risk to remain tight in the bud was more painful than the risk it took to blossom.
We see not what is, but what we are.
It takes courage to push yourself to places that you have never been before... to test your limits... to break through barriers. And the day came when the risk it took to remain tight inside the bud was more painful than the risk it took to blossom.
We write to taste life twice, in the moment and in retrospection
What can I do with my happiness? How can I keep it, conceal it, bury it where I may never lose it? I want to kneel as it falls over me like rain, gather it up with lace and silk, and press it over myself again.