Anais Nin
Anais Nin
Anaïs Ninwas an essayist and memoirist born to Cuban parents in France, where she was also raised. She spent some time in Spain and Cuba but lived most of her life in the United States where she became an established author. She wrote journals, novels, critical studies, essays, short stories, and erotica. A great deal of her work, including Delta of Venus and Little Birds, was published posthumously...
NationalityAmerican
ProfessionNovelist
Date of Birth21 February 1903
CityNanterre, France
CountryUnited States of America
Each friend represents a world in us, a world possibly not born until they arrive, and it is only by this meeting that a new world is born.
Someone told me the delightful story of the crusader who put a chastity belt on his wife and gave the key to his best friend for safekeeping, in case of his death. He had ridden only a few miles away when his friend, riding hard, caught up with him, saying 'You gave me the wrong key!
I cannot concentrate all my friendship on any single one of my friends because no one is complete enough in himself.
What I cannot love, I overlook. Is that real friendship?
Each friend represents a world in us, a world not born until they arrive, and it is only by this meeting that a new world is born.
You live like this, sheltered, in a delicate world, and you believe you are living. Then you read a book(Lady Chatterley, for instance), or you take a trip, or you talk with Richard, and you discover that you are not living, that you are hibernating. The symptoms of hibernating are easily detectable: first, restlessness. The second symptom(when hibernating becomes dangerous and might degenerate into death): absence of pleasure. That is all. It appears like an innocuous illness. Monotony, boredom, death. Millions live like this(or die like this) without knowing it. They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death.
To change skins, evolve into new cycles, I feel one has to learn to discard. If one changes internally, one should not continue to live with the same objects. They reflect one's mind and the psyche of yesterday. I throw away what has no dynamic, living use.
There came a time when the risk to remain tight in the bud was more painful than the risk it took to blossom.
We see not what is, but what we are.
It takes courage to push yourself to places that you have never been before... to test your limits... to break through barriers. And the day came when the risk it took to remain tight inside the bud was more painful than the risk it took to blossom.
We write to taste life twice, in the moment and in retrospection
What can I do with my happiness? How can I keep it, conceal it, bury it where I may never lose it? I want to kneel as it falls over me like rain, gather it up with lace and silk, and press it over myself again.
Also, I do not like the companionship of women. They are petty and personal. They hang on to their mysteries and secrets, they act and pretend. I like the character of men better.
One discovers that destiny can be diverted, that one does not have to remain in bondage to the first wax imprint made on childhood sensibilities. Once the deforming mirror has been smashed, there is a possibility of wholeness. There is a possibility of joy.