Anais Nin

Anais Nin
Anaïs Ninwas an essayist and memoirist born to Cuban parents in France, where she was also raised. She spent some time in Spain and Cuba but lived most of her life in the United States where she became an established author. She wrote journals, novels, critical studies, essays, short stories, and erotica. A great deal of her work, including Delta of Venus and Little Birds, was published posthumously...
NationalityAmerican
ProfessionNovelist
Date of Birth21 February 1903
CityNanterre, France
CountryUnited States of America
Secrets. Need to disguise. The novel was born of this.
Love men and women not for their strength but their softness, not for their fullness but their hunger, not for their plenty but their need.
One always, sooner or later, comes upon a city which is an image of one's inner cities. Fez is an image of my inner self. ... The layers of the city of Fez are like the layers and secrecies of the inner life. One needs a guide. ... There were in Fez, as in my life, streets which led nowhere, impasses which remained a mystery.
Mature people relate to each other without the need to merge.
Is devotion to others a cover for the hungers and the needs of the self, of which one is ashamed? I was always ashamed to take. So I gave. It was not virtue. It was a disguise.
The man who was once starved may revenge himself upon the world not by stealing just once, or by stealing only what he needs, but by taking from the world an endless toll in payment of something irreplaceable, which is the lost faith.
He does not need opium. He has the gift of reverie.
My life is slowed up by thought and the need to understand what I am living.
Woman does not forget she needs the fecundator, she does not forget that everything that is born of her is planted in her.
Each friend represents a world in us, a world possibly not born until they arrive, and it is only by this meeting that a new world is born.
You live like this, sheltered, in a delicate world, and you believe you are living. Then you read a book(Lady Chatterley, for instance), or you take a trip, or you talk with Richard, and you discover that you are not living, that you are hibernating. The symptoms of hibernating are easily detectable: first, restlessness. The second symptom(when hibernating becomes dangerous and might degenerate into death): absence of pleasure. That is all. It appears like an innocuous illness. Monotony, boredom, death. Millions live like this(or die like this) without knowing it. They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death.
To change skins, evolve into new cycles, I feel one has to learn to discard. If one changes internally, one should not continue to live with the same objects. They reflect one's mind and the psyche of yesterday. I throw away what has no dynamic, living use.
There came a time when the risk to remain tight in the bud was more painful than the risk it took to blossom.
We see not what is, but what we are.