Anais Nin
Anais Nin
Anaïs Ninwas an essayist and memoirist born to Cuban parents in France, where she was also raised. She spent some time in Spain and Cuba but lived most of her life in the United States where she became an established author. She wrote journals, novels, critical studies, essays, short stories, and erotica. A great deal of her work, including Delta of Venus and Little Birds, was published posthumously...
NationalityAmerican
ProfessionNovelist
Date of Birth21 February 1903
CityNanterre, France
CountryUnited States of America
I prefer empty cages, Sabina, until I find a unique bird I once saw in my dreams.
You are the poet, you walk inside my dreams...
I had been struck by the analogy between neurosis and romanticism. Romanticism was truly a parallel to neurosis. It demanded of reality an illusory world, love, an absolute which it could never obtain, and thus destroyed itself by the dream.
In New York the acoustics are good for laughter, for life is all external, all action, no thought, no meditation, no dreaming, no reflection, only the exuberance of action.
It amazes me that you feel that each time you write a story you give away one of your dreams and you feel the poorer for it. But then you have not thought that this dream is planted in others, others begin to live it too, it is shared, it is the beginning of friendship and love. How is this world made which you enjoy, the friends around me that you love? They came because I first gave away my stories.
In my dreams I sleep with everybody.
gold never comes to the dreamers - except in dreams.
The dream has to be translated into reality.
The true liberation of eroticism lies in accepting the fact that there are a million facets to it, a million forms of eroticism, a million objects of it, situations, atmospheres, and variations. We have, first of all, to dispense with guilt concerning its expansion, then remain open to it's surprises, varied expressions, and mingle it with dreams, fantasies, and emotion for it to attain its highest potency.
This image of herself as a not ordinary women, an image which was trembling now in his eyes, might suddenly disappear. Nothing more difficult to live up to than men's dreams.
We are beginning to see the influence of dream upon reality and reality upon dream.
The bed must be a beautiful place, not only because you make love there but because you dream there as well.
The dream was always running ahead of me. To catch up, to live for a moment in unison with it, that was the miracle.
I am apparently gentle, unstable, and full of pretenses. I will die a poet killed by the nonpoets, will renounce no dream, resign myself to no ugliness, accept nothing of the world but the one I made myself. I wrote, lived, loved like Don Quixote, and on the day of my death I will say: ‘Excuse me, it was all a dream,’ and by that time I may have found one who will say: ‘Not at all, it was true, absolutely true.’