Anais Nin
Anais Nin
Anaïs Ninwas an essayist and memoirist born to Cuban parents in France, where she was also raised. She spent some time in Spain and Cuba but lived most of her life in the United States where she became an established author. She wrote journals, novels, critical studies, essays, short stories, and erotica. A great deal of her work, including Delta of Venus and Little Birds, was published posthumously...
NationalityAmerican
ProfessionNovelist
Date of Birth21 February 1903
CityNanterre, France
CountryUnited States of America
There is an ugliness in being paid for work one does not like.
Analysis does not take into account the creative products of neurotic desires.
Ordinary life does not interest me.
Woman does not forget she needs the fecundator, she does not forget that everything that is born of her is planted in her.
The imagination is far better at inventing tortures than life because the imagination is a demon within us and it knows where to strike, where it hurts. It knows the vulnerable spot, and life does not, our friends and lovers do not, because seldom do they have the imagination equal to the task.
It takes courage to push yourself to places that you have never been before... to test your limits... to break through barriers. And the day came when the risk it took to remain tight inside the bud was more painful than the risk it took to blossom.
Each friend represents a world in us, a world possibly not born until they arrive, and it is only by this meeting that a new world is born.
We see not what is, but what we are.
What can I do with my happiness? How can I keep it, conceal it, bury it where I may never lose it? I want to kneel as it falls over me like rain, gather it up with lace and silk, and press it over myself again.
Also, I do not like the companionship of women. They are petty and personal. They hang on to their mysteries and secrets, they act and pretend. I like the character of men better.
One discovers that destiny can be diverted, that one does not have to remain in bondage to the first wax imprint made on childhood sensibilities. Once the deforming mirror has been smashed, there is a possibility of wholeness. There is a possibility of joy.
I see enormous loves growing immense and finally crushing me.
Warmth, perfume, rugs, soft lights, books. They do not appease me. I am aware of time passing, of all the world contains that I have not seen, of all the interesting people I have not met.
She walked in the shadow of Rango with a great feeling of being taken out of herself, of having no knowledge of what was happening to her, merely a pervading sense of flow.