Alex Grey
Alex Grey
Alex Greyis an American visionary artist, author, teacher, and Vajrayana practitioner. His body of work spans a variety of forms including performance art, process art, installation art, sculpture, visionary art, and painting. Grey is a member of the Integral Institute. He is also on the board of advisors for the Center for Cognitive Liberty and Ethics, and is the Chair of Wisdom University's Sacred Art Department. He and his wife Allyson Grey are the co-founders of The Chapel of Sacred...
NationalityAmerican
ProfessionPainter
Date of Birth29 November 1953
CityColumbus, OH
CountryUnited States of America
Artists are most themselves when they are out of their minds, transcending the ego skirmishes of conceptual thought, and intuitively relinquishing control to the greater Creator
Realism and Naturalism rely mostly on the eye of the flesh. Abstract, conceptual and surrealistic art rely mostly on the eye of the mind. Great works of art rely on the eye of contemplation, the eye of the spirit.
My father was a professional artist all his life who encouraged my path as an artist.
My art has always been in response to visions. Rather than confine my subject to representations of the outer worlds, I include portrayals of the multi-dimensional imaginal realms that pull us toward consciousness evolution.
I became really interested in the study of consciousness.
I use a lot of different words for God - infinite intelligence, primordial, perfection or universal creativity. All of these, to me, are God. And 'God' is a word, I think, that some people feel uncomfortable with, so they can use another word, you know? It's the great mystery.
Spiritual teachers and artists that have opened the eye of wisdom for the world, and visionary community builders, have influenced my work.
It was 1975. I had spent the year at the Boston Museum School doing some very bizarre performance works. The last one included going to the North Magnetic Pole and spending all of my money.
Journeying through secret doors, curving corridors, and connecting rooms into the mountain was like being digested by the different organs of a deity.
The inevitable consequence of love is the building of temples.
I think that that's why artists make art - it is difficult to put into words unless you are a poet. What it takes is being open to the flow of universal creativity. The Zen artists knew this.
The web of life, love, suffering and death unites all beings.
Art is a delivery system for worldviews.
The many faces of Collective Vision united by the mandalic eye-field suggest both expansion of consciousness and sharing of consciousness with other beings. The painting was based on a profoundly ego dissolving entheogenic mystical trance where I heard the words, 'Infinite Oneness... the Oneness should never forget the Infinitude and the Infinitude should never forget the Oneness...'