Alex Graves
Alex Graves
Alexander "Alex" Gravesis an American film director, television director, television producer and screenwriter...
NationalityAmerican
ProfessionDirector
CountryUnited States of America
mind psychological foolish
Well my motto was "Never Monologue a Clegane", because Beric Dondarrion and Thoros were messing around with The Hound and Beric essentially got killed, even though he got to come back, and then the monologue is just a foolish thing to do. But it's also psychological state of mind, he can't get over his sister.
character unique different-experiences
And one of the things that's interesting about how they're doing the show is that the audience almost knows more than the characters do in some of these scenes, and the extent of that is unique. So it's grown into a different show in a way. It's sort of grown into a different experience watching it.
character talking years
Because if you remember - and people forget this - the first two years of Game of Thrones everybody was going, "I don't know what's going on, but I really like it." And you really didn't know what to make of a lot of people, and now it's changed and people aren't really talking about that. Now it's like you're watching West Wing or Friends, you know the characters and you're like, "What in the world is going to happen?"
littles tents hell
You can certainly shorten things and tighten things, we tightened up Jon's walk to Mance Rayder's tent. That was something that got tightened up a little bit because I had shot the hell out of that.
games thrones hey
There weren't any deleted scenes, it was just a matter of tightening stuff. I didn't have any deleted scenes in what I did as far as I know. It's very unusual on Game of Thrones for there to be a deleted scene because the scripts are pretty locked in. There's rarely a reason to say, "Hey, we don't need this scene."
ties fans might
Obviously the highest pressure scene, I guess it might've been a tie - what was the bigger death, Tyrion with Shae, Tyrion wth Twyin, and then Joffrey were all scenes where I wanted to deliver what was in the script married to what fans will be expecting, and it was a lot of pressure and I'm really glad it's over.
writing fighting iceland
No, my favorite scene was Brienne finding Arya and The Hound. I thought that the writing and the dialogue and the confusion that spirals into the fight was such a cool scene. I knew I was gonna film it in Iceland and I did a lot of - I really scouted and climbed around Iceland to find those locations and I just couldn't wait to do that.
director scene
There's always the pressure on the director of how to transition from one scene to another, especially when it can really be oblique on 'Game of Thrones.'
funny hard pull similar
It's funny because 'West Wing' is similar to 'Game of Thrones' in some ways, as it was very hard to pull off back then.
For 'Game of Thrones,' I realized immediately that it was about the characters.
both large martin scale terms wrote
'Game of Thrones' is the broadest of narratives. I don't know if anyone in the U.S. has done a story on such a large scale before, both in terms of what George R.R. Martin wrote and what's on the show.
schedule shot similar time tv
'Game of Thrones' is shot on a very similar kind of schedule to a TV show, but there's a lot more time and focus put into the script.
broad comedy earlier filmmaker frustrated love movies passion sports
I was, and am, a frustrated filmmaker and film student, and my passion and love for movies was so broad that, in the earlier part of my career, I stumbled into doing 'Sports Night' and was a comedy director.
assuming great ground matter money standing studio system trying until
For someone making a pilot, assuming the talent is there and you can maneuver the system properly, it's just a matter of standing your ground and trying to make something great until you are making enough money for the studio that they let you keep making it.