Alejandro Gonzalez
Alejandro Gonzalez
real acting actors
The actors make the film. They're the ones that take this theoretical movie that's in your head and make it real. The success of a film is entirely on their shoulders. I admire them, because acting is such a difficult thing to do, and I personally can't understand it.
thinking movies-in-general should-have
I think movies in general should have more respect for the audience than they do. Too many films are afraid to confuse people, so all the information is given to them right away, and there's nothing left for the film to do. It ruins many stories, because everything becomes obvious and predictable. I want my films to engage people more and make them more actively involved in the story.
exercise thinking substance
I was aware of the possible biases you could get as a commercial director, like being too concerned about the technical aspects of the form rather than anything of substance. If you keep working in commercials, you can get trapped in a very superficial way of thinking. I always used commercials as an exercise for filmmaking, like going to the gym.
want scripts perfectionist
Really, I'm a neurotic perfectionist. Every single word in the script is the one that I want.
country real sick
My country has been wracked with violence for a long time. Just to see all the violence on the news makes you sick. It's true that violence is in our nature, but I try to explore deeply where it comes from and where it goes and what it creates. Not in a moralistic or preachy way, but just to observe the real consequences of violence in a human being or in a society.
hate stupid impact
I hate superficial violence. It's shallow and stupid, and the impact on the audience is really bad.
real lying character
When people laugh and applaud as characters are killing each other, and you never see the body that's lying there, or you never see the family that suffers, then it turns into a cool thing to do, like a videogame. Then, when you watch the news and see that 15 soldiers were killed, you start to see them as just numbers, material, information, images. We lose the real weight and real value of one simple human life.
country discovery layers
I remember, the first time I saw a [Andrei] Tarkovsky film, I was shocked by it. I didn't know what to do. I was fascinated, because suddenly I realized that film could have so many more layers to it than what I had imagined before. Then others, like Kurosawa and Fellini, were like a new discovery for me, another country.
italian dvds want
Of course, there's always one theater that shows some kind of European film. Now, fortunately, you have DVDs, so it's possible to get anything you want within a few hours. In those days, it was virtually impossible to get Italian films, or German films, or whatever. So I grew up with very standard, mainstream films.
thinking laughing people
As a sensitive filmmaker, I think you have to really be careful in how you explore it. Not that you can't tell any story you want - I'm not calling for censorship or anything. But if you're going to have violence, I think it's important to deal with the consequences of that on a human level, not just to make people laugh.
careers normal cinema
I didn't have a normal academic career. I never studied cinema. I learned from life.
beautiful thinking littles
I think every beautiful tale in the world hides the truth and reveals it little by little.
million time
We want to conquer the world and have 1,000 likes, 1 million likes, but at the same time, we are depressed. We are lonely, but we have 10,000 followers. We are all bipolar.
ends process time
I don't know if I have a career or not, or where it ends or it begins. I have been working, doing what I do for a long time. But my creative process has always been so tortuous.