Alejandro Gonzalez Inarritu
Alejandro Gonzalez Inarritu
Alejandro González Iñárrituis a Mexican film director, producer, screenwriter, and former composer. He is the first Mexican director to be nominated for the Academy Award for Best Director and the Directors Guild of America Award for Outstanding Directing, for Babel. He is also the first Mexican-born director to have won the Cannes Film Festival Best Director Award...
NationalityMexican
ProfessionDirector
Date of Birth15 August 1963
CountryMexico
above deal great tool work
Irony is a great tool to deal with things. It's an intellectualization, a way to go above things, which can work.
people work worked
I know how to work with people. I've worked with the same people for 10 years. I'm not that kind of auteur. I hear ideas.
prize work worse
On a transcendental level, a film is not going to be better or worse because there's a prize behind it. The work will be what it is, with or without a prize.
bubble built high incredible work
That incredible bubble and high expectations built at festivals can work against a film.
hard work
It's hard for me to work for somebody else. I can work with someone, but not for someone.
artistic arts class corporate films instead interest kids master pushed successful visual work
You have kids studying master class visual arts who are pushed to make films that will be successful economically; that's what they focus on. So they work for corporate interest instead of artistic expression.
answer create debate directors generate good work
Good directors don't answer questions with their work. They generate debate and create discussion.
adding affected becoming bit work
I'm overwhelmed by the pain in the world; I'm affected by the news very much, and adding that to my work was becoming a little bit too much.
love structural structure works wrote
I love the three-act theory. It works and works beautifully. But you don't necessarily have to structure a story that way: Cortazar and Borges wrote in different structural styles.
financed matters past
Yes, I am a Mexican, and I have a past and a culture. But what matters is the film itself, not where it was financed or cast.
bad good superhero
Look, I'm no purist - there are good superhero films, and there are bad ones.
dramatic responsibility
My responsibility is to make a film and find my dramatic language; I don't have any political or social responsibility.
experience extension few numerous virtues vital
My cinema is an extension of myself. A sort of life-testimony of my vital experience, with my few virtues and my numerous limitations.
became bit head irony tail
Irony became the head that bit its tail and then there is no way out.