Alejandro Gonzalez Inarritu
Alejandro Gonzalez Inarritu
Alejandro González Iñárrituis a Mexican film director, producer, screenwriter, and former composer. He is the first Mexican director to be nominated for the Academy Award for Best Director and the Directors Guild of America Award for Outstanding Directing, for Babel. He is also the first Mexican-born director to have won the Cannes Film Festival Best Director Award...
NationalityMexican
ProfessionDirector
Date of Birth15 August 1963
CountryMexico
Alejandro Gonzalez Inarritu quotes about
behind explosions films millions
You have to make millions on Friday night, because there are another 600 films waiting behind you, with explosions and everything.
kids mexicans millions painful
Millions of Mexicans leave their kids in order to take care of other kids. That's a very painful thing.
million time
We want to conquer the world and have 1,000 likes, 1 million likes, but at the same time, we are depressed. We are lonely, but we have 10,000 followers. We are all bipolar.
human
I'm very curious, I guess, as a human being.
pronounce time
In hotels, every time I make a reservation and they never find my name, they never can pronounce it; it's so long, and sometimes they confuse.
allen among filmmakers greats van woody
I like so many different directors: Scorsese, Coppola, Cassavetes, Jarmusch, Gus van Sant, Woody Allen and the greats like Fellini, Bergman, Tarkovsky and among current filmmakers von Trier, Ang Lee, Wong Kar-wai.
'Ikiru' is existential but with a lot of tenderness.
I'm telling the same story in every film.
felt liberating playing
It was liberating to do comedy. It felt like playing in a jazz band.
It's very healthy to be aware of your ego.
hard work
It's hard for me to work for somebody else. I can work with someone, but not for someone.
architecture
The visual architecture of 'Biutiful' is the most sophisticated of all the films I have directed.
bad letting means putting
To shoot a conventional film means that you are always covering yourself. You are putting nets and, in a way, letting bad decisions take over.
Ultimately, with every film I'd done before, there was a reference. They have their own uniqueness, but there was always a precedent.