Alberto Manguel

Alberto Manguel
Alberto Manguelis an Argentine Canadian anthologist, translator, essayist, novelist and editor. He is the author of numerous non-fiction books such as The Dictionary of Imaginary Places, A History of Reading, The Library at Nightand Homer's Iliad and Odyssey: A Biography; and novels such as News From a Foreign Country Came. Though almost all of Manguel's books were written in English, two of his novelswere written in Spanish, and El regreso has not yet been published in English. Manguel has also...
NationalityArgentinian
ProfessionWriter
book nerd poor
Slothful, feeble, pretentious, pedantic, elitist - these are some of the epithets that eventually become associated with the absent minded scholar, the poor sighted reader, the book worm, the nerd.
book pages who-we-are
Our books will bear witness for or against us, our books reflect who we are and who we have been, our books hold the share of pages granted to us from the Book of Life. By the books we call ours we will be judged
book hands fire
From fire, water, the passage of time, neglectful readers, and the hand of the censor, each of my books has escaped to tell me its story.
morning book pages
This morning I looked at the books on my shelves and thought that they have no knowledge of my existence. They come to life because I open them and turn their pages, and yet they don't know that I am their reader.
book writing pages
A writer stops writing the moment he or she puts the last full stop to their text, and at that point the book is in limbo and doesn't come to life until the reader picks it up and the reader flips the pages.
children book night
I remember, as a child, the confusion of not knowing what this place was where I was supposed to spend the night: it's a disquieting experience for a child. And what I would do was quickly unpack my books and go back to a book I knew well and make sure the same text and the same illustrations were there.
book reading important
Our society accepts the book as a given, but the act of reading -- once considered useful and important, as well as potentially dangerous and subversive -- is now condescendingly accepted as a pastime, a slow pastime that lacks efficiency and does not contribute to the common good.
book erotic skins
In the books by Ruy-Sanchez we find again the erotic conviction that allows us to read with all the skin. The erotic, in his narratives is not a subject or a phrase, it is the clay of what they are made. In his novels every experience, trivial or extraordinary, breaths through the erotic.
book technology cds
In our day, computer technology and the proliferation of books on CD-ROM have not affected - as far as statistics show - the production and sale of books in their old-fashioned codex form.
rip book dust
Old or new, the only sign I always try to rid my books of (usually with little success) is the price-sticker that malignant booksellers attach to the backs. These evil white scabs rip off with difficulty, leaving leprous wounds and traces of slime to which adhere the dust and fluff of ages, making me wish for a special gummy hell to which the inventor of these stickers would be condemned.
confused book childhood
At one magical instant in your early childhood, the page of a book—that string of confused, alien ciphers—shivered into meaning. Words spoke to you, gave up their secrets; at that moment, whole universes opened. You became, irrevocably, a reader.
book waiting feelings
I have no feelings of guilt regarding the books I have not read and perhaps will never read; I know that my books have unlimited patience. They will wait for me till the end of my days.
book library together
I like to imagine that, on the day after my last, my library and I will crumble together, so that even when I am no more I'll still be with my books.
dream book library
We can imagine the books we'd like to read, even if they have not yet been written, and we can imagine libraries full of books we would like to possess, even if they are well beyond our reacher, because we enjoy dreaming up a library that reflects every one of our interests and every one of our foibles--a library that, in its variety and complexity, fully reflects the reader we are.