Albert Finney
Albert Finney
Albert Finneyis an English actor. Beginning in the theatre, Finney was especially successful in plays by William Shakespeare before he switched to films. He achieved prominence in films in the early 1960s, his debut being The Entertainer, directed by Tony Richardson, who had directed him in theatre plays various times before. He became a leading Free Cinema figure, and has maintained a successful career in theatre, film and television. He is known for his roles in Saturday Night and Sunday...
NationalityBritish
ProfessionMovie Actor
Date of Birth9 May 1936
CityPendleton, England
You're less likely to get the part, many parts, if you're playing people your age as opposed to people who are younger. There are fewer parts around.
You offer things up, I suppose, and he probably gently maybe changes it a little bit one way or another, but you don't feel directive as it were.
No, no, I go where the work is, wherever it is. I'll go, I mean, if I select it, but I don't try and ration it out or balance it at all.
My girlfriend and I rented a nice house on the river and I was there for about two and a half months, and we were just out of Alabama. I hardly got to see Alabama.
I was in London. It's a long way to go for a very long party, sitting there for six hours not having a cigarette or a drink. It's a waste of time.
Maybe don't make it so.
We're given the springboard of the text, a plane ticket, told to report to Alabama, and there's a group of people all ready to make a film and it's a marvelous life.
I mean, I did a film, a musical of 'Scrooge', in '70, and the tricks were done by flat clothes and mirrors. I hope that the day will come when we don't have to turn up at all.
My dad was great. He was very droll, very dry.
That is one of the reasons one enjoys acting. Now and again, you get scenes where you work with somebody really good and you have a good time trying to make it really work and really work well.
There might've been wires, but I have this ability to make myself light. Well you know what, in ballet, when you kind of lift yourself here, it's all up in the head.
It's true that old actors don't die, their parts get smaller. You're less likely to get the part, many parts, if you're playing people your age as opposed to people who are younger. There are fewer parts around.
I like playing accents, and doing things like that, it was fun. It was fun.
I'm doing another Churchill. I did a Churchill for HBO and that was up to 1939 and there's talk of the war years. They were going to do it this fall, but the script wasn't going to be ready.