Albert Brooks
Albert Brooks
Albert Lawrence Brooksis an American actor, filmmaker and comedian. He received an Academy Award nomination for Best Supporting Actor for 1987's Broadcast News. His voice acting credits include Marlin in Finding Nemoand Finding Dory, and recurring guest voices for The Simpsons, including Russ Cargill in The Simpsons Movie. Additionally, he has directed, written, and starred in several comedy films, such as Modern Romance, Lost in America, and Defending Your Lifeand is the author of 2030: The Real Story of What...
NationalityAmerican
ProfessionMovie Actor
Date of Birth22 July 1947
CityBeverly Hills, CA
CountryUnited States of America
Once you sign on as an actor, you know, you don't go to the editing room, you don't see how they cut, you don't see how they score, you don't see how they cast the rest of the movie.
What naturally stops you making the film is there is no more money in the budget. That's really what it is. If you had an unlimited budget, if you were a billionaire and you financed your own movies, then you can either date, because you can sit in an editing room for six years, like Howard Hughes, and never finish anything.
Twitter, to me, works if you're funny. Twitter doesn't work as a promotional tool unless you do it very, very, very occasionally.
Steven Spielberg seems to have wanted to be a director from 13. He put his dog in a certain position and made him eat at four o'clock. He liked to direct it. But, to me, directing is tedious. Especially if you're acting in it. And I'm inherently lazy.
When I went to acting school, the kids that got the best grades were the kids that could cry on cue. But it didn't really translate into careers for any of them, because the external is the easy part.
If you look at the best-seller list for American fiction, they're all sequels to detective stories or stories about hunting serial killers. That's what's called American fiction these days.
I guess 'The Player' was a pretty good L.A. movie. And 'Chinatown.' Was there ever a better L.A. movie about a certain period in L.A.? That was terrific.
Well, you know, with every character, if you're going to expose yourself, you've got to figure out every detail that you're going to play. So there's no character that you can just go put on his shirt and be fully prepared.
I don't think the goal is, 'How big a star did you ever become?' I think the goal is, 'Were you able to express yourself?'
You know, I became a director out of necessity. I was writing comedies, and I couldn't find anybody to deliver it correctly.
It's interesting when you're part of a group - the Jews, to be exact - that the world has had such problems with.
Movies are an expensive business.
You know, when cameras are rolling, improvisation doesn't feel natural. The pressure is too great. You're on a time schedule. You've got 60 crewmen.
Nobody will leave any place unless they're forced out. That's the nature of humans. Once you're there, you're there. I've never seen anybody get up voluntarily and leave any place.