Alan Moore

Alan Moore
Alan Mooreis an English writer primarily known for his work in graphic novels including Watchmen, V for Vendetta and From Hell. Frequently described as the best graphic novel writer in history, he has been called "one of the most important British writers of the last fifty years". He has occasionally used such pseudonyms as Curt Vile, Jill de Ray, Translucia Baboon, and The Original Writer...
NationalityBritish
ProfessionNovelist
Date of Birth18 November 1953
book dark different
When I was working upon the ABC books, I wanted to show different ways that mainstream comics could viably have gone, that they didn't have to follow 'Watchmen' and the other 1980s books down this relentlessly dark route. It was never my intention to start a trend for darkness. I'm not a particularly dark individual.
song writing careers
Way back in the day, when I first started and had delusions of adequacy as a cartoonist, I would listen to music. When I switched to a career as a writer, I would try to listen to music, but if the songs had lyrics they would get in the way of the words I was trying to write. So I switched to listening to purely instrumental pieces.
growing bigs distrust
There's been a growing dissatisfaction and distrust with the conventional publishing industry, in that you tend to have a lot of formerly reputable imprints now owned by big conglomerates.
art political culture
There's a widespread cultural barrenness across art and political culture. But there are some pockets of resistance on the extreme margins, like the techno-savvy protest movements, small press, the creator-owned comics, that seem to be getting some signs of hope for the future.
long people answers
People have asked me why I made the first chapter of my first novel so long, and in an invented English. The only answer I can come up with that satisfies me is, 'To keep out the scum.'
book character way
My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
kicking-it people trying
Romantic poetry had its heyday when people like Lord Byron were kicking it large. But you try and make a living as a poet today, and you'll find it's very different!
echoes pace pieces
In comics the reader is in complete control of the experience. They can read it at their own pace, and if there's a piece of dialogue that seems to echo something a few pages back, they can flip back and check it out, whereas the audience for a film is being dragged through the experience at the speed of 24 frames per second.
differences numbers life-and-death
A live body and a dead body contain the same number of particles. Structurally, there's no discernible difference. Life and death are unquantifiable abstracts. Why should I be concerned?
understanding vietnam realizing
As I come to understand Vietnam and what it implies about the human condition, I also realize that few humans will permit themselves such an understanding.
art hero knowing
As I see it, part of the art of being a hero is knowing when you don't need to be one anymore.
growing-up school boys
Growing up in the Boroughs, I thought I must be the cleverest boy in the world, an illusion that I was able to maintain until I got to the grammar school.
book fans generations
My only problem with fans is when they turn pro. For example, when all the professional writers were fired by DC in the '60s, they brought in a generation of comic book fans who would have paid to have written these stories.
wonderful hypothetical
Now everything is wonderful and hazardous and nothing's hypothetical.