Alan Lightman
Alan Lightman
Alan Paige Lightmanis an American physicist, writer, and social entrepreneur. He is a professor of the practice of the humanities at the Massachusetts Institute of Technology and the author of the international bestseller Einstein's Dreams. Einstein's Dreams has been adapted into dozens of independent theatrical productions and is one of the most widely used "common books" on college campuses. Lightman was the first professor at MIT to receive a joint appointment in the sciences and the humanities. He is also...
NationalityAmerican
ProfessionTeacher
Date of Birth28 November 1948
CountryUnited States of America
The world is moving faster and faster, but where are we going?I think one of the reasons why things are getting blurry is because there is not much meaning.
I still will sit down at the piano and play when I am wrestling with something emotionally or just want to move into the musical world.
Unfortunately, public debates do not have much room for subtlety. The audience wants a quick thrust at your opponent, not a slow and convoluted series of moves. Whenever Obama uses subtleties in discussing a complex issue, he gets creamed.
The world is moving faster and faster, but where are we going?
In this world, time has three dimensions, like space. Just as an object may move in three perpendicular directions, corresponding to horizontal, vertical, and longitudinal, so an object may participate in three perpendicular futures. Each future moves in a different direction of time. Each future is real. At every point of decision, the world splits into three worlds, each with the same people, but different fates for those people. In time, there are an infinity of worlds.
I think it is always a long shot getting a book made into a film. Making that book into a film is going to be quite a challenge.
I re-read a lot of books that I like a lot. There are some books that I try to reread every couple of years. A good book changes for you every few years because you are in a different place in your own life.
You say, "Something important really happened here. I really had hold of something I was visited by the muse." And that's enough to make you continue the months and years to finish the whole book.
When I used to play golf. It's a terrible miserable game. It's incredibly frustrating. In 18 holes you make 150 horrible shots off in the woods, in the water...You make one good shot and it brings you back the next time. With writing a long book there has to be at least one bit that has some magic in it that you can go back to.
I think what gets you through a small writing project, is just one burst of inspiration. A book, especially a longer book, it's a different kind of force that pushes you through it. It's a vision of the whole thing.
The Diagnosis had ten drafts of very significant changing, where I went through the whole book, wholesale and changed everything. Then the last year or so it was making small changes. I would do something and let it sit for three months... just brood about and decide I needed to slightly change something here or there. Or one character wasn't quite right. But I think everybody goes through this.
That's the fine balance of a fiction writer...to be able to give your characters enough freedom to surprise you and yet still maintain some kind of artistic control.
The Diagnosis is by far my most ambitious book. I such great hopes for it... there was so much I wanted to do with the book. I was extremely insecure about it for several years. Just didn't know whether I would finish the book much less for it to come close to what I intended. I think that for any novel you never know exactly how the book is going to turn out...
I wouldn't overall say that The Diagnosis it's a funny book. I would say that it has comic moments. It's a modern tragedy.