Alan Arkin
Alan Arkin
Alan Wolf Arkinis an American actor, director, comedian, musician and singer. With a film career spanning more than 55 years, Arkin is known for his performances in Popi, Wait Until Dark, The Russians Are Coming, the Russians Are Coming, The Heart is a Lonely Hunter, Catch-22, The In-Laws, Edward Scissorhands, Glengarry Glen Ross, Thirteen Conversations About One Thing, Little Miss Sunshine, and Argo...
NationalityAmerican
ProfessionMovie Actor
Date of Birth26 March 1934
CityBrooklyn, NY
CountryUnited States of America
TV has taken reflection out of the human condition. People didn't use to have a ready answer for everything, whether they knew something about it or not. People think they have to have an answer for everything because the guys on TV have an answer for everything. But it's bullsh**t! Reflection is crucial.
Is it possible to have an endless series of successes without falling on our faces? I suppose it is, but I think it would entail doing the same things over and over again without taking chances, without taking risks or exploring our limits, without finding out what we can and can't do.
Things are never going to turn out how you think they will.
Two-thirds of American movies are extensions of commercials -- they tell you how to feel and they tell you how to think -- rather than letting you figure it out on your own.
I don't think it does the audience any good to know what I do to prepare. It keeps it more of a surprise. I don't feel like it has to be a mystery.
I don't love the business. I never wanted to be a part of it. I don't think any actor does. Most of the time, I've been really fortunate to work with people who are really fun to work with. It doesn't mean we don't take it seriously, but no one is under the delusion (that we're) bringing world peace.
Things have got to add up to 100 points. The script is part of it, the character is part of it, the people I'm working with is the third part of it - and any combination of the three has got to add up to 100 points.
There have been times when I've been broke, and a job came along, and I've said, 'Yeah! Let's do it!' But I will never do something without having a feeling of knowing how to play it. I've been in projects that I felt terrible about afterwards, but I've always had something that sparked me while I was doing it.
I'm not sure if I've learned anything from show business. Life in general has taught me if you're kind to people, everything gets easier. Being a decent person really smoothes the way for you and everyone else.
I want to feel like I'm doing something creative and trying different things, putting different hats on and playing. I don't know what's the point otherwise; otherwise, it's just a job. You punch a time clock.
You hit a certain age, and you haven't died yet, and you become an elder statesman. I think I get a lot of applause because I'm not keeling over.
The years I spent paying my dues are in the background, and so are my concerns about whether my performance is good or bad.
It's not that there is a terrible morality in Hollywood. I think there isn't any. There isn't any, by and large.
I'm very old. I haven't got time to be charming.