Alan Arkin

Alan Arkin
Alan Wolf Arkinis an American actor, director, comedian, musician and singer. With a film career spanning more than 55 years, Arkin is known for his performances in Popi, Wait Until Dark, The Russians Are Coming, the Russians Are Coming, The Heart is a Lonely Hunter, Catch-22, The In-Laws, Edward Scissorhands, Glengarry Glen Ross, Thirteen Conversations About One Thing, Little Miss Sunshine, and Argo...
NationalityAmerican
ProfessionMovie Actor
Date of Birth26 March 1934
CityBrooklyn, NY
CountryUnited States of America
I've always been an improviser. I was one before I knew even what the word was... And acting, that I've been doing since I was 5.
Over the years, I played with a couple of spectacular guitar players, and playing with them has made me play better than I knew how to play. I hope the same thing is true with acting.
My father was a painter. There was a lot of singing. We hung around with a lot of folk musicians. My family knew a lot of great folk musicians of the time, like Woody Guthrie, Paul Robeson, Leadbelly. They were all people we knew.
I had to jump around in the arts for a while just to survive. I earned a little money here and there, playing the guitar at union meetings, functions. I sold some science-fiction stories. I knew there was absolutely no question of me not being connected with the arts, but I couldn't find any acting jobs.
Things have got to add up to 100 points. The script is part of it, the character is part of it, the people I'm working with is the third part of it - and any combination of the three has got to add up to 100 points.
There have been times when I've been broke, and a job came along, and I've said, 'Yeah! Let's do it!' But I will never do something without having a feeling of knowing how to play it. I've been in projects that I felt terrible about afterwards, but I've always had something that sparked me while I was doing it.
I'm not sure if I've learned anything from show business. Life in general has taught me if you're kind to people, everything gets easier. Being a decent person really smoothes the way for you and everyone else.
I want to feel like I'm doing something creative and trying different things, putting different hats on and playing. I don't know what's the point otherwise; otherwise, it's just a job. You punch a time clock.
You hit a certain age, and you haven't died yet, and you become an elder statesman. I think I get a lot of applause because I'm not keeling over.
The years I spent paying my dues are in the background, and so are my concerns about whether my performance is good or bad.
It's not that there is a terrible morality in Hollywood. I think there isn't any. There isn't any, by and large.
I'm very old. I haven't got time to be charming.
I'm used to changing a lot of the dialogue. But if I feel like the script is working, I don't want to mess with it.
I'm as old as I am, and I don't try to hide it. It's not a big deal.