Alan Arkin
Alan Arkin
Alan Wolf Arkinis an American actor, director, comedian, musician and singer. With a film career spanning more than 55 years, Arkin is known for his performances in Popi, Wait Until Dark, The Russians Are Coming, the Russians Are Coming, The Heart is a Lonely Hunter, Catch-22, The In-Laws, Edward Scissorhands, Glengarry Glen Ross, Thirteen Conversations About One Thing, Little Miss Sunshine, and Argo...
NationalityAmerican
ProfessionMovie Actor
Date of Birth26 March 1934
CityBrooklyn, NY
CountryUnited States of America
Everybody's career has ups and downs. I like to take chances; I don't like to stand still. And I don't give a damn what the market is interested in; I want to try things.
NI love watching science fiction because I feel like when it's done well, it's not just monsters, but philosophy. Really good science fiction like, '2001,' for example, or the first 'Matrix.' But it takes someone who's got a brain and thinks in order to do really good science fiction.
It's - everybody's looking at the bottom line all the time, and failure doesn't look good on the bottom line, and yet you don't learn anything without failing.
I don't know why we have to put things in boxes of superlatives. That isolates them. Life is fluid, and the minute you start trying to put a line around something, it will deceive you and go away.
For everybody, the tide comes in, the tide goes out - if you're an actor, particularly.
I would like to have a movie under my own control sometime, and see what could be done with it. Who knows? Maybe Hollywood will make an improvisational movie someday.
That's the privilege of old age: You don't have to remember.
I love insane, stupid comedy, but I can only make it work if it's a character I can give some history to and make real. Like the guy I played in 'Little Miss Sunshine.' He's a maniac, but to me he was absolutely believable.
I love working if it's with people who are capable of having a good time. People with a little bit of enjoyment of what they do. If it's enormous pressure, and people feel that their lives are at stake, then it's agony. So I try to pick projects where I feel like I'm going to avoid those traps.
You have to think of your career the way you look at the ocean, deciding which wave you're gonna take and which waves you're not gonna take. Some of the waves are going to be big, some are gonna be small, sometimes the sea is going to be calm. Your career is not going to be one steady march upward to glory.
I did a couple of movies in Brazil, and the actors were incredibly congenial and hung out together a lot. Even the biggest stars would do radio commercials - they're not put on a pedestal like they are in the United States.
I think a very bad time for the arts. I think we're in a tough time in our culture.
I don't live in L.A. on purpose because I don't wanna be immersed in that. I have to have a real life, with real people, in order to inform what I'm doing; otherwise, it just becomes the snake eating its own tail. Vampirism.