Alan Alda
Alan Alda
Alan Aldais an American actor, director, screenwriter, and author. A six-time Emmy Award and Golden Globe Award winner, he is widely known for his roles as Captain Hawkeye Pierce in the TV series M*A*S*H and Arnold Vinick in The West Wing. He has also appeared in many feature films, most notably in Crimes and Misdemeanorsas pretentious television producer Lester and in The Aviatoras U.S. Senator Owen Brewster, the latter of which earned him a nomination for the Academy Award for...
NationalityAmerican
ProfessionTV Actor
Date of Birth28 January 1936
CityNew York City, NY
CountryUnited States of America
house together found
I was always interested in figuring things out. I'd do experiments, like combining things I found around the house to see what would happen if I put them together.
country moving ideas
Republicans are as capable of coming up with great ideas and moving this country along as anyone - they just don't do it.
giving accomplishment satisfaction
For me, I find that even though I've accomplished a few things in my life, looking back on accomplishments doesn't give me a sense of satisfaction.
sweet artist frustration
artists try to say things that can't be said. in a fragile net of words, gestures, or colors, we hope to capture a feeling; a taste; a painful longing. but the net is always too porous, and we are left with the sweet frustration of almost knowing, which is teasingly pleasurable.
boys views want
I had never really wanted to be famous. Everyone is supposed to want to be rich and famous, but as a boy I never knew what rich was, and the first view I had of famous made me leery.
compassion long people
Don't be upset that it takes a long, long time to find wisdom because nobody knows where wisdom can be found. It tends to break out at unexpected times like a rare virus and mostly people with compassion and understanding are susceptible to it.
thinking names people
What I can't completely understand is most other people's fascination with what the famous among us do with their lips and the rest of their bodies. Why do ordinary people become the target of this curiosity simply by virtue of the fact that other people recognize their names and faces but know nothing else about them? Why do we care what they think, what they wear, what they eat?
stars powerful heaven
Whenever you wonder about yourself, look up at the stars swirling around in the heavens and just realize how tiny and puny they are. They're supposed to be gigantic explosions and they're just these insignificant little dots. If you step back from things far enough you realize how important and powerful you are.
light hands people
Your assumptions are your windows on the world. Scrub them off every once in a while or the light won't come in. If you challenge your own, you won't be so quick to accept the unchallenged assumptions of others. You'll be a lot less likely to be caught up in bias or prejudice or be influenced by people who ask you to hand over your brains, your soul or your money because they have everything all figured out for you.
school exercise keys
Musicals are hard for me because I got thrown out of the glee club in high school, because I couldn't sing in tune at the time. I can sing in tune now, but I have to work really hard on it to make sure that I don't exercise one of my great talents, which is the ability to sing in three keys at the same time.
life-is-great life-is knows
Life is great-I wouldn't know what I'd do without it.
thinking interesting lucky
A really great actor, in a lucky performance, can transform himself or herself. I've seen actors do that. But often it's a mechanical transformation, which isn't as interesting, and you've got to be careful how you go about something like that, I think.
waiting listening connections
If you don't listen deeply, the connection won't take place.... [You have to be] willing to be changed by the person you're listening to, where you're not just waiting for a pause so you can say your thing, but you're actually letting them have an effect on you if they can.
listening important actors
When I started out as an actor, I thought, Here's what I have to say; how shall I say it? I began to understand that what I do in the scene is not as important as what happens between me and the other person. And listening is what lets it happen. It's almost always the other person who causes you to say what you say next. You don't have to figure out how you'll say it. You have to listen so simply, so innocently, that the other person brings about a change in you that makes you say it and informs the way you say it.