Aidan Gillen
Aidan Gillen
Aidan Gillenis an Irish actor. He is best known for portraying Petyr "Littlefinger" Baelish in the HBO series Game of Thrones, Tommy Carcetti in the HBO series The Wire, CIA operative Bill Wilson in The Dark Knight Rises, Stuart Alan Jones in the Channel 4 series Queer as Folk, and John Boy in the RTÉ Television series Love/Hate...
NationalityIrish
ProfessionMovie Actor
Date of Birth24 April 1968
CityDublin, Ireland
CountryIreland
career forgotten good head moving people point strategy time trying
I've made a point of trying not to play the same part and of moving between theatre and film and TV. The idea is that by the time you come back, you have been away for a year, and people have forgotten you. If you like having time off, which I do, that's a good career strategy. Or at least, it's my strategy to keep my head together.
characters cunning enigmatic good hard hope job okay people pin played tricky
I hope it's not all I'll ever do, but I know I've played enigmatic characters. For me, the good characters are people who get places, are devious, are cunning and tricky and hard to pin down. Obviously, if you play one and you do an okay job of it, that'll be on people's minds.
good
I don't really differentiate between different genres: if there's a good part going, I'll go after it, and it's preferable to me if it's something I haven't done before.
basically corner european good horror round school shops watched year
There was a year between school and getting going as an actor when I basically just watched films. Video shops were the new thing, and there was a good one round the corner and me and my brother just watched everything, from the horror to the European art-house.
appealing flawed good people vice
It seems to me that most characters, in anything, are flawed in some way, just like most people. You look for the good in the flawed people and vice versa, and then try and make them appealing in some way.
career forgotten good moving people point time trying year
I've made a point of trying not to play the same part, and of moving between theatre and film and TV. The idea is that by the time you come back, you have been away for a year and people have forgotten you. If you like having time off, which I do, that's a good career strategy.
good
It's always a good idea to let the audience make up their own minds.
good people
I hate it when people tell you you're good when you know that you're not.
good
I heat myself up over the fact that I am never going to be as good as I want to be.
builds good musical quite rapping
My own rapping skills are quite good, actually. You get this thing, I think it's called Songify or AutoRap, and you talk into them, and they auto-tune it and make it into a quite interesting musical number. And I got one where it builds it into a rap.
either gets hope
In drama you can either pretend everything is OK, or you can show the world as it really is in the hope that it gets better.
best cards develop enjoyed lay learned particular series straight table time tv worked
I've enjoyed working on the TV series that I've worked on, in particular something like 'The Wire,' where there was so much time to tell the story and develop a character. I learned from that that it's best not to lay all your cards on the table straight away.
alan british david destroying dominates dramas fact ken lots others produced saw tv work
So-called reality TV, which dominates British channels, is destroying what made it cherishable to me and lots of others in the first place. I loved Alan Clarke, Ken Loach and Alan Bleasdale's work. In fact the first TV dramas I ever saw were 'Screen Twos' produced by David Thompson, who also produced a lot of Alan Clarke.
five found inhabit interested nights nobody stayed wanting worlds
To start, I wasn't really interested in acting at all, and I didn't make much impact. The first play I was in was on for five nights and I didn't show up for two of them and nobody noticed. But I stayed because that's where my friends were, and after a while I found myself wanting to inhabit other people's worlds and lives.