Agnes Varda
Agnes Varda
Agnès Vardais a Belgian film director. Her films, photographs, and art installations focus on documentary realism, feminist issues, and social commentary with a distinct experimental style...
NationalityFrench
ProfessionDirector
Date of Birth30 May 1928
CountryFrance
people way enjoy
It's a way of living, sharing things with people who work with me, and they seem to enjoy it.
virginia years people
When I saw what painting had done in the last thirty years, what literature had done - people like Joyce and Virginia Woolf, Faulkner and Hemingway - in France we have Nathalie Sarraute - and paintings became so strongly contemporary while cinema was just following the path of theater. I have to do something which relates with my time, and in my time, we make things differently.
people being-different trying
I'm interested in people who are not exactly the middle way, or who are trying something else because they cannot prevent themselves from being different, or they wish to be different, or they are different because society pushed them away.
people want serious-subjects
I wanted to catch the problem of consumption, waste, poor people eating what we throw away, which is a big subject. But I didn't want to become a sociologue, an ethnographe, a serious thinker. I thought I should be free, even in a documentary which has a very serious subject.
people
Some people meet each other again only when I'm there!
mean ideas people
To share a lot of ideas - not ideas - emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
people connections film
People like my films. They understand me through my films; it's like a connection that has been established between all my work and myself and the audience and the viewer.
beautiful stars people
I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
people missing nostalgia
I'm missing some people, you know, and this is not nostalgia. I miss them. This is melancholy.
people trying cinema
I don't try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers. Many filmmakers have made resurgent work, and I was just a little ahead of the time.
cutting hair people
I made a braid because Chinese old people, they say that the God will take you by the hair to join you with - but God didn't take me, so I cut the braid.
people important ive-changed
I've changed my approach to people and to filming because of the new equipment, which is important.
knowing people trying
I'm myself - knowing I'm doing a documentary and speaking with the people, telling them I have a bed, that I can eat every day, but I would like to speak to you. And they really gave me wonderful answers. We got along very well without trying to make me look like I'm what I'm not.
heart people interesting
I had a very good time when I did The Gleaners - even though the people are poor, and I was suffering to see the conditions, and plus they are not such lovely hearts. They are tough to each other, they beat each other, they are rude and they are violent and they drink. They're not sweethearts, you know, but some were so interesting.