Adrienne Rich

Adrienne Rich
Adrienne Cecile Richwas an American poet, essayist and radical feminist. She was called "one of the most widely read and influential poets of the second half of the 20th century", and was credited with bringing "the oppression of women and lesbians to the forefront of poetic discourse."...
NationalityAmerican
ProfessionPoet
Date of Birth16 May 1929
CityBaltimore, MD
CountryUnited States of America
country believe government
I am a citizen of a country that has just undergone a thieved election, a country deeply and dangerously divided between rich and poor, but also between rich and middle class. What I believe in and what my government represents are not the same thing.
believe poetry trying
The necessity of poetry has to be stated over and over, but only to those who have reason to fear its power, or those who still believe that language is 'only words' and that an old language is good enough for our descriptions of the world we are trying to transform.
respect believe moving
I believe that words can help us move or keep us paralysed, and that our choices of language and verbal tone have something - a great deal - to do with how we live our lives and whom we end up speaking with and hearing; and that we can deflect words by trivialization, of course, but also by ritualized respect, or we can let them enter our souls and mix with the juices of our minds.
inspiring war believe
No woman is really an insider in the institutions fathered by masculine consciousness. When we allow ourselves to believe we are, we lose touch with parts of ourselves defined as unacceptable by that consciousness; with the vital toughness and visionary strength of the angry grandmothers, the fierce market women of the Ibo's Women's War, the marriage-resisting women silk workers of pre-Revolutionary China, the millions of widows, midwives, and the women healers tortured and burned as witches for three centuries in Europe.
inspirational believe moving
I believe that words can help us move or keep us paralyzed, and that our choices of language and verbal tone have something - a great deal - to do with how we live our lives.
children believe bad-ass
I am a feminist because I feel endangered, psychically and physically, by this society and because I believe that the women's movement is saying that we have come to an edge of history when men - insofar as they are embodiments of the patriarchal idea - have become dangerous to children and other living things, themselves included
feeling language might possess process remains resource running thinking vision
We might possess every technological resource . . . but if our language is inadequate, our vision remains formless, our thinking and feeling are still running in the old cycles, our process may be "revolutionary" but not transformative.
feeling language might north ourselves possess process remains resource running thinking vision
We might hypothetically possess ourselves of every technological resource on the North American continent, but as long as our language is inadequate, our vision remains formless, our thinking and feeling are still running in the old cycles, our process may be ''revolutionary'' but not transformative.
art convert equal hiv rage though verdict
It's as though she was able to convert her rage to live under this verdict of HIV into an art that was actually equal to it.
thinking world academic
I think poets should work in the non-literary, non-academic world, get to know more than a workshop or a university.
years imagination path
Over many years so many poets have touched my imagination and opened paths for me - it hardly makes sense to list them. I have always read a great deal of poetry.
art dysfunction adequate
What I search for continuously in my art is adequate language, language I hope can stand beyond any particular occasion. What I'm finding is that in our increasingly dysfunctional U.S. society, marvelous poetry is being written - out of and amid the dysfunction.
dogma poet young
As a very young poet, I had been brought up on that dogma that politics was bad for poetry.
art struggle social
I define "politics" as the on-going collective struggle for liberation and for the power to create - not only works of art, but also just and nonviolent social institutions.