Adewale Akinnuoye-Agbaje

Adewale Akinnuoye-Agbaje
Adewale Akinnuoye-Agbajeis an English actor and former fashion model of Nigerian origin. He is best known for his roles as Lock-Nah in The Mummy Returns, Nykwana Wombosi in The Bourne Identity, Mr. Eko on Lost, and Simon Adebisi on Oz. His more recent roles include Malko in the fifth season of the HBO series Game of Thrones, providing the voice to the title character on the animated series Major Lazer, Dave Duerson in the NFL biopic drama Concussion, and Killer...
NationalityBritish
ProfessionMovie Actor
Date of Birth22 August 1967
I remember in the Carpenter version, you got acquainted with the characters and really knew them. It was a real character piece. Each actor was serviced in the movie, and we tried to do that in this movie as well. I like the fact that there was a European, first-time director. I'd known of him because I'm from Europe. I knew him as a commercial director and thought one of his commercials was great. I thought it was an interesting take on such a big-budget cult classic.
I'm known for playing bad guys, so this was an interesting departure from what I'm known to play, which is a softer, more likable, affable character.
As an actor, you really want to resonate with your audience. I played a character on Oz and people still approach me in the streets today.
Certainly, I look for different characters 'cause I always like to keep people guessing, and I also don't like to get typecast.
The only way I know how to deliver is to focus; some people can turn it on or off - I'd rather stay in character.
Also, I'd like to play an athlete again, while I'm still physically fit, or a musician, like Nat King Cole, because I play the trumpet and sing. I'd like to incorporate that into a character.
What you desire, as an actor, is to have an impact. That's why you did it. You want to move people, and you want to resonate with your audience. It's always a great compliment to have people appreciate and speak of the characters. I can go anywhere in the world, to places where people don't actually speak English, and people can say, verbatim, what I said on the show as Mr. Eko, which is great. That's fun!
I wanted to wash off the experience of Africa but obviously I couldn't because that's who I was.
The actual fights themselves are very demanding. You don't want to drain yourself. But it pumps you up, gets you in the zone. It's a good way of getting you into the zone for the scene.
It's the ones that deal with the inner fear, the unknown realms and the mysticisms that are scary. You had that in the Carpenter version, and you have that in this prequel. It's paying homage, very much, to that.
There's always your initial trepidation about doing a remake, but that was alleviated by the fact that it was a prequel. Immediately, that gives you creative license to really recreate and explore and put a new stamp on the genre.
And then, with a European director and Norwegian actors speaking in Norwegian, it was going to be very interesting. So, whatever initial trepidation or fear I may have had was alleviated by those factors. I just said, "This is something to get on board with."
It's very important to stretch, because while it's good to look pumped, a lot of the moves are split legs, and twisting fast. So you really, really have to stay supple.
When a child wants to be accepted, he'll do anything. And if it means you're getting a certain amount of notoriety from a fight, that's what you'll do.