Adam Gopnik
Adam Gopnik
Adam Gopnikis an American writer and essayist. He is best known as a staff writer for The New Yorker—to which he has contributed non-fiction, fiction, memoir and criticism since 1986—and as the author of the essay collection Paris to the Moon, an account of five years that Gopnik, his wife Martha, and son Luke spent in the French capital...
NationalityAmerican
ProfessionWriter
CountryUnited States of America
writing winning your-side
Good editorial writing has less to do with winning an argument, since the other side is mostly not listening, than with telling the guys on your side how they ought to sound when they’re arguing.
innovation pressure scarcity
What drives innovation is abundance and ease, not the pressure of scarcity.
sides ifs
If you're being attacked from all sides, it's possible you're doing something right; it's also possible that you are doing everything wrong.
thinking practice trying
I don't think there's any question journalists have become targets, but then I think that - that anyone who tries to practice liberty becomes a target of fanatics.
water dinner prisoner
Dinner with water is dinner for prisoners
choices-made mind easy
Music is a current of hard choices made to seem easy by the mind.
silly simple giving
The sin of capitalism, perhaps, is to make wants feel like needs, to give to simple silly stuff the urgency of near-physical necessity: I must have it. The grace of capitalism is to make wants feel like hopes, so that material objects and stuff can feel like the possibility of something heroic and civic.
america people height
Over all, there are now more people under “correctional supervision” in America-more than six million-than were in the Gulag Archipelago under Stalin at its height.
eye thinking light
We don't know that we've lost half a minute from our lives but we feel it somehow, we feel its absence. Something is missing, we think. And so we long for the thing we've missed and can't name, and out of that wanting - well, everything else rises, good and bad. What do you think leads us to the windows in the first place? The light in your eyes shines because of the longing in your soul. And the longing in your souls rises because you are looking for the lost half minute.
accomplishment professional-competence tables
Whatever sense of professional competence we feel in adult life is less the sum of accomplishment than the absence of impossibility: it's really our relief at no longer having to do things we were never good at doing in the first place - relief at never again having to dissect a frog or memorize the periodic table.
loyalty past desire
The future will be like the past, in the sense that, no matter how amazing or technologically advanced a society becomes, the basic human rhythm of petty malevolence, sordid moneygrubbing, and official violence, illuminated by occasional bursts of loyalty or desire or tenderness, will go on.
past listening might
The past is so often unknowable not because it is befogged now but because it was befogged then, too, back when it was still the present. If we had been there listening, we still might not have been able to determine exactly what Stanton said. All we know for sure is that everyone was weeping, and the room was full.
thinking mass-shootings isis
We've had mass shootings in the United States in the part of violent antiabortion protesters, in the part of violent pro-ISIS militants. The trick and the trap and the horror is not faith.I don't think the trap and the horror is fanaticism.
fear real self
The relentless note of incipient hysteria, the invitation to panic, the ungrounded scenarios - the overwhelming and underlying desire for something truly terrible to happen so that you could have something really hot to talk about - was still startling. We call disasters unimaginable, but all we do is imagine such things. That, you could conclude mordantly, is the real soundtrack of our time: the amplification of the self-evident toward the creation of paralyzing, preëmptive paranoia.