Aasif Mandvi

Aasif Mandvi
Aasif Hakim Mandviwala, known professionally as Aasif Mandvi, is an Indian-American actor and comedian. He began appearing as an occasional contributing correspondent on The Daily Show on August 9, 2006. On March 12, 2007, he was promoted to a regular correspondent. He is the lead actor, co-writer and producer of the web series Halal In The Family which premiered on "Funny or Die" in 2015 and an actor, writer and co-producer of the HBO comedy series The Brink. Mandvi is...
NationalityIndian
ProfessionMovie Actor
Date of Birth5 March 1966
CountryIndia
I'm free to see things objectively because I don't consider myself American, and I don't consider myself British or Indian. I'm kind of an amalgam or mongrel of a lot of different places and experiences. In a lot of ways it's been a good thing for me. It's enabled me to do what I do on 'The Daily Show.'
Samantha Bee said to me when I first started on the "Daily Show", she was like no - there is no - the only way you'll learn this job is by doing this job.
This was in the '70s and there was a lot of racism towards South Asians and there was a lot of hazing and bullying and racism that really probably shaped me in some way in terms of, like, wanting to get out of there.
There's this existential crisis in America and in the West of, like - who am I? - based on this searching for individual fulfillment, which you don't necessarily have in the East in the same way because you're kind of told what to do. I'm not saying one is better than the other, I'm just saying that's just, like, the reality.
I'm Muslim the way many of my Jewish friends are Jewish: I avoid pork, and I take the big holidays off.
You can talk about and think about Muslims as you want, but you can't stop Muslims from building a mosque. You can hate Muslims from the comfort of your house or publicly, but when that becomes stopping Muslims from building a mosque or worshipping, then we are crossing the line into something else.
When I got to Florida, I was a British kid, but I was also an Indian kid: a brown kid with an English accent. Talk about being an outsider. And that's become the theme of a lot of the stuff I write about.
They wanted to audition people for the Middle East correspondent on 'The Daily Show.' They wanted to hire somebody ethnic for that slot. Helms had left, Cordry had left, and they felt that they needed an ethnic face. So, I went in and auditioned, and I got the job.
The pleasure from acting comes from having great writing to work with. If it's well written and the character is interesting, then, as an actor, that's the raw material I need.
The longer I spent time on 'The Daily Show,' standing in front of a green screen pretending to report from war zones and hot spots around the world - most often from somewhere in the Middle East - the more I began to realize that 'The Daily Show' was radicalizing me.
The average Indian doesn't care about Hollywood movies because they have far too many movies of their own to watch, to miss, and I hope a story like 'Million Dollar Arm,' that is actually about India and deals with these two Indian kids, resonates over there and makes people want to go and see the movie.
Religion is so much more than the god you pray to. The religion that you associate with, it's culture, it is family, it is background. That is something that I have always grown up with.
One of the first auditions I had in New York was for a commercial where I had to go in and audition to be a snake charmer... It was either some bank commercial or something where they wanted a guy charming a snake... I remember they wanted to know if I actually knew how to snake charm.
My tenure at 'The Daily Show' started during the decade after September 11, and fear of Muslims was at an all-time high. Politicians and the media seemed to dial the fright, mistrust, and animosity up to a fever pitch to gain votes and ratings.