A. R. Rahman

A. R. Rahman
Allah-Rakha Rahman, born A. S. Dileep Kumar), is an Indian composer, singer-songwriter, music producer, musician and philanthropist. A. R. Rahman's works are noted for integrating Eastern classical music with electronic music, world music and traditional orchestral arrangements. Among his awards are two Academy Awards, two Grammy Awards, a BAFTA Award, a Golden Globe, four National Film Awards, fifteen Filmfare Awards and thirteen Filmfare Awards South. Rahman's body of work for film and stage has given him the nickname of "the...
NationalityIndian
ProfessionMusician
Date of Birth6 January 1967
CountryIndia
I usually work on a film soundtrack for two years, turning in a song every few months, and that keeps my creative energy high, because I'm constantly rotating projects. The trick is to make sure I don't work too hard and get exhausted.
I think I can get away, sometimes, with walking in the streets and not getting noticed. I like that. I want my work to get noticed, not me. And it's slowly getting there, which is good.
I joined the Madras Christian College but dropped out after three months. Telugu music director Ramesh Naidu asked me to assist him, and I did so for over a year. I did think of rejoining college, but by then, I was discovering the musician in me. I worked with Illaya Raja and Raj Koti and soon shifted to commercials. This led to movie offers.
Bollywood music is definitely a big part of Indian music and can be a great way to introduce people to the sound. But I hope to continue to incorporate other types of Indian music into my work.
I don't want to expose my personal life. It's best that people know me for my work. My family doesn't want to be surrounded by cameras. We want to live like any other family.
If you respect a language and culture, it shows in your work.
I divide criticism into two categories - one coming from those who understand music, who are worthy of being critical because they are knowledgeable about what they are saying; and then there is another category of people who would criticise you anyway, whether your work is good or bad.
For me, there is no day or night for music. I often work through the night - without phone calls disturbing me.
When I travel with my kids abroad, I am not myself, but I'm more a father who wants to protect them. Sometimes, I am even aggressive about certain things and get surprised seeing myself like that: for instance, when people want to take pictures of them. I am fine if they want to take my pictures, but they are not public property.
The more dollars the studio producers put in, the less freedom we have. If the budget hits $100m, they get scared - they'll take the existing score of a successful movie and expect composers to copy it, like wallpaper. The biggest challenge for any composer in Hollywood is to be as creative as possible within those boundaries.
My mother insisted that I pursue music. I rented out my father's musical equipment and earned some money. As a child, I wasn't sure about a career goal, but I was always fascinated by electronic gadgets, specially musical equipment.
I like to see a film and then start scoring it in my mind while doing something unrelated. You just grasp a film and start working, and something unpredictable comes out from a third element. The mind, the more active it is, the more productive it is.
Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
I was famous from the age of 13, and after a while you become immune to it - in a good way. You look at positives and what you can do with it.