Quotes about writ
writing should-have ideas
People who are more than casually interested in computers should have at least some idea of what the underlying hardware is like. Otherwise the programs they write will be pretty weird. Donald Knuth
writing thinking next-week
When you write a program, think of it primarily as a work of literature. You're trying to write something that human beings are going to read. Don't think of it primarily as something a computer is going to follow. The more effective you are at making your program readable, the more effective it's going to be: You'll understand it today, you'll understand it next week, and your successors who are going to maintain and modify it will understand it. Donald Knuth
writing style sitting
My general working style is to write everything first with pencil and paper, sitting beside a big wastebasket. Then I use Emacs to enter the text into my machine. Donald Knuth
writing thinking average
A lot of times, writers are told write as big as you can, and that's not untrue. But at times I think it's better to write as small as you can, to start scenes with little personal details or people who are doing average every day human things. That, to me, lets the average reader into that person's life. "Yeah I eat breakfast. I take a shower." Don Winslow
writing television actors
I just personally feel like the best writing for actors exists in cable television. Donal Logue
writing law people
Rittner's Computer Law: Never argue with people who write with digital ink and pay by the kilowatt-hour. Don Rittner
writing long decision
In fact, merely writing the facts on a piece of paper and stating our problem clearly goes a long way toward helping us to reach a sensible decision. Dale Carnegie
writing artist always-trying
I never took drug to escape. I know some people take drugs to escape, but I took drugs because I was an experimenter. And an artist. And I was always trying to go to the other side of that veil and get information, like all writers have done through the millennia. To get some insights on how the whole thing works, if there's any way to know how it works, and write about it. Creed Bratton
writing editing people
A lot of people, myself included, are excited about blogging and stuff like that, citizen journalism, but I do remind people that no matter how excited we are, there's no substitute for professional writing, no substitute for professional editing, and no substitute for professional fact-checking. Craig Newmark
writing people different
Everyone is different, but I'm not standoffish at all. I'm not one of those people who prefer to write a note. I'll walk right up to you and ask you out! Even if the answer's no, I'm totally cool with it. Corbin Bleu
writing offending laughing
In comedy you sometimes have to look at the funny bone a little bit. So, that was the hardest part - was not offending. I'm not laughing at anybody. We're laughing together about who we are - and the funnier part of who we are. I'm (sure) not writing this and calling you a stereotype. I'm not doing that. Corbin Bernsen
writing interesting people
It's often wrong to write for specific actors because one ends up using what is least interesting about them, their mannerisms and habits. I prefer not to write for specific people. Claude Chabrol
writing attention may
One may gain attention by wearing a fools cap. But he would ruin his selling prospects Claude C. Hopkins
writing names stories
Names that tell stories have been worth millions of dollars. So a great deal of research often proceeds the selection of a name Claude C. Hopkins
writing attention stories
Whatever claim you use to get attention, the advertisement should tell a story reasonably complete Claude C. Hopkins
writing atmosphere should
The product itself should be it's own best salesman. Not the product alone, but the product plus a mental impression, and atmosphere, which you place around it Claude C. Hopkins
writing men oil
The advertising man who spares the midnight oil will not get very far Claude C. Hopkins
writing average may
The one just consider the average reader s only once a reader, probably. And when you fail to tell them in that ad is something he may never know Claude C. Hopkins
writing dollars scarcity
Advertising is utterly unprofitable, and I could prove it to you in one week. End an ad with an offer to pay five dollars to anyone who writes you that he read the ad through. The scarcity of replies will amaze you. Claude C. Hopkins
writing winning people
Do nothing to merely interest, assume or attract. This is not your province. Do only that wins the people you are after in the cheapest possible way Claude C. Hopkins
writing expression world
"Best in the world," "lowest price in existence, " etc are at best claiming the expected. But superlative of that sort are usually damaging. They suggestion looseness of expression, a tendency to exaggerate, a careless truth. They lead readers to discount all the statements that you make Claude C. Hopkins
writing unique style
Fine writing is a distinct disadvantage. So is unique literary style. They take attention from the subject Claude C. Hopkins
writing people trying
Ads are not written to entertain. When they do, those entertainment seekers rare little likely to be the people whom you want. This is one of the greatest advertising faults. Ad writers abandon their part. They forgot they are salesmen and try to be performers. Instead of sales, they seek applause Claude C. Hopkins
writing light variation
Collect impressions. Don't be in a hurry to write them down. Because that's something music can do better than painting: it can centralise variations of colour and light within a single picture a truth generally ignored, obvious as it is. Claude Debussy
writing biographies ill
Others are writing my biography, and let it rest as they elect to make it. I have lived my life, well and ill, always less well than I wanted it to be but it is, as it is, and as it has been; so small a thing, to have had so much about it! Clara Barton
writing society world
There is one fact that can be established. The only phenomenon which, always and in all parts of the world, seems to be linked with the appearance of writing Claude Levi-Strauss
writing class cities
The only phenomenon with which writing has always been concomitant is the creation of cities and empires, that is the integration of large numbers of individuals into a political system, and their grading into castes or classes. It seems to have favored the exploitation of human beings rather than their enlightenment. Claude Levi-Strauss
writing starting
I sort of always like to write starting with when I learned how. Daniel Pinkwater
writing way
Writing and telling are almost the same, the way I do it. Daniel Pinkwater
writing trying occupation
I'd always liked to write, but I never wanted to be a writer, because it seemed a sissy occupation. It is. To this day, I find it terribly easy. And so, rather than trying to hunt up a text, I just wrote one. Daniel Pinkwater
writing editors names
When you send off a short story, it sits on the editor's desk in the same pile with stories by the most famous and honored names in present-day writing-and it's not going to be accepted unless it's as good as theirs. (And it'll probably have to be better.) Daniel Quinn
writing expression people
Most beginning writers - and I was the same - are like chefs trying to cook great dishes that they've never tasted themselves. How can you make a great - or even an adequate - bouillabaisse if you've never had any? If you don't really understand why people read mysteries - or romances or literary novels or thrillers or whatever - then there's no way in the world you're going to write one that anyone wants to publish. This is the meaning of the well-known expression "Write what you know." Daniel Quinn
writing thinking two
For me, you go to university to meet lots of different people from different backgrounds. I think that's one of the most important things you get there. And you also get some sense of direction regarding what you want to do when you leave. I sort of know what I want to do in my life - I want to act and ultimately I'd like to write. And in terms of meeting people from different backgrounds, that's what you get on a film set. So the two most valuable things that university would have given me I've sort of achieved by being on a film set. Daniel Radcliffe