Quotes about writ
writing self nuts
I have this thing about my own voice on record. No matter what I sing, it sounds really serious, and I sound self loathing or whatever, which was just driving me nuts because that's not what I was writing. Thom Yorke
writing albums firsts
The second album is the hardest to write. Its nothing like the first album. Theophilus London
writing cutting editing
The discipline of writing a memoir comes in the editing. This is where I cut, slash, and burn - where my creative mind is transformed into a ruthless one. No word escapes my scrutiny. It is here where I see what boundaries need to be set. Terry Tempest Williams
writing discovery tasks
I write from the place of inquiry. The first draft is a discovery period to see what I know and what I don't know. My task is simply to follow the words. There are surprises along the way. I just have to get it down. Call it the sculptor's clay. Terry Tempest Williams
writing heart feet
When I write, I put one foot in front of the other. It's an act of faith. I just follow my heart. Terry Tempest Williams
writing black-and-white fabric
I write to make peace with the things I cannot control. I write to create fabric in the world that often appears black and white. I write to meet my ghosts. I write to begin a dialogue. I write to imagine things differently and in imagining things differently perhaps the world will change. Terry Tempest Williams
writing humanity protection
We write out of our humanity by writing through our direct experience. That which is most personal is most general, which becomes both our insight and protection as a writers. This is our authority as women, as human beings. Terry Tempest Williams
writing bird soul
When Emily Dickinson writes, “Hope is the thing with feathers that perches in the soul,” she reminds us, as the birds do, of the liberation and pragmatism of belief. Terry Tempest Williams
writing would-be pages
I don't set boundaries for myself when I am writing; if I did, I would be paralyzed from the start, unable to write a word on the page. Terry Tempest Williams
writing witness
I write as a witness to what I have seen. Terry Tempest Williams
writing black-and-white world
I write to create red in a world that often appears black and white. Terry Tempest Williams
writing ego curiosity
To write requires an ego, a belief that what you say matters. Writing also requires an aching curiosity leading you to discover, uncover, what is gnawing at your bones. Terry Tempest Williams
writing reflection night
We usually recognize a beginning. Endings are more difficult to detect. Most often, they are realized only after reflection. Silence. We are seldom conscious when silence begins—it is only afterward that we realize what we have been a part of. In the night journeys of Canada geese, it is the silence that propels them. Thomas Merton writes, “Silence is the strength of our interior life.… If we fill our lives with silence, then we will live in hope. Terry Tempest Williams
writing like-love risk
I write because it is dangerous, a bloody risk, like love, to form the words, to say the words, to touch the source, to be touched, to reveal how vulnerable we are, how transient. Terry Tempest Williams
writing thinking letters
Pico Iyer describes his writing as "intimate letters to a stranger," and I think that is what the writing process is. It begins with a question, and then you follow this path of exploration. Terry Tempest Williams
writing care taste
I learned not to care ... and to write for an imaginary reader whose tastes were similar to my own. Terry Southern
writing contracts studios
Writing on a contract for a major studio you get the very best. Terry Southern
writing credit directors
For a director and a producer to be named on the writing credits is practically unheard of. Terry Southern
writing acceptance people
I don't know why, but I always feel a kind of necessity to write things that are beyond acceptance, that are too offensive or something. For people to read them and say, Ha-ha-ha, very funny. No, we can't print that. Terry Southern
writing important capacity
The important thing in writing is the capacity to astonish. Not shock - shock is a worn-out word - but astonish. Terry Southern
writing long walks
There are times when the best writing you can do is to go for a walk or drive, a long drive is ideal. Terry Pratchett
writing dementia live-well
It is possible to live well with dementia and write best-sellers 'like wot I do. Terry Pratchett
writing ankh reign
The point is that descriptive writing is very rarely entirely accurate and during the reign of Olaf Quimby II as Patrician of Ankh-Morpork some legislation was passed in a determined attempt to ?put a stop to this sort of thing and introduce some honest. Terry Pratchett
writing fiction way
[Science fiction is] out in the mainstream now. You can tell by the way mainstream literary authors pillage SF while denying they're writing it! Terry Pratchett
writing experts wizards
I'm not the world's greatest expert, but I would have thought that the wizards, witches, trolls, unicorns, ... broomsticks and spells would have given her a clue?' - when J.K. Rowling insisted she wasn't writing fantasy. Terry Pratchett
writing thinking ideas
In all seriousness, people think that it's the ideas that are important. Well, everyone has ideas, all the time. I tend to write mine down and remember them, but at some point you have to apply the bum to the seat and knock out about sixty five thousand words - that's how long a novel is. Terry Pratchett
writing people world
It bothers me when people, say, you know, write for, you know, a web publication and get paid little or nothing or, you know, expecting to, like, read the best newspapers in the world and not pay a cent for it. Those newspapers need money in order to operate. Terry Gross
writing past secret
Irish fiction is full of secrets, guilty pasts, divided identities. It is no wonder that there is such a rich tradition of Gothic writing in a nation so haunted by history. Terry Eagleton
writing thinking people
Whenever you think you're writing what other people want to hear from you, and that it'll be commercial, you're doomed to disaster. Writing has to be as truthful and specific as we can make it. The minute we think that we're reaching more people and pleasing them, we get general. And audiences sense that and turn away, shun us. Terrence McNally
writing play firsts
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know. Terrence McNally
writing play nervous
There are so many rules about play writing. I'd have a nervous breakdown if I followed them. Terrence McNally
writing thinking magic
If you don't think there is magic in writing, you probably won't write anything magical. Terry Brooks
writing want storytelling
What I want to write about has changed somewhat, and the scope of the storytelling has changed accordingly. Terry Brooks