Quotes about writ
writing creativity people
For some reason there's this myth that creativity - [especially] in terms of creative writing - is a gift you either have, or you don't. So when people first start writing, if they write something that's not very good, or if they try and it's difficult, they go, "Oh, I guess I don't have it." That doesn't seem very fair, you have to try and you have to work at it. If we get scared of one bad poem and quit, that's not doing anybody any good. Sarah Kay
writing figures
I write poems to figure things out Sarah Kay
writing museums people
Hiroshima”, I find a few of the lines to be very poignant yet hopeful. These lines are: “But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I’ll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed Sarah Kay
writing trying strategy
I write poetry to figure things out. Any time I'm trying to wrap my head around something, poetry is like a puzzle-solving strategy for me. Sarah Kay
writing thinking attention
Thinking about writing as an act of celebration is sometimes a helpful framework for me. It allows me to prioritize what I want to call attention to and what I want others to know about me. It makes me ask: What is worth celebrating? Sarah Kay
writing love-is always-trying
I write poetry to figure things out. It's what I use as a navigating tool in my life, so when there's something that I just can't understand, I have to "poem" my way through it. For that reason I write a lot about family, because my family confuses me and I'm always trying to figure them out. I write a lot about love, because love is continually confusing in all of its many glorious aspects. Sarah Kay
writing light important
Every moment I choose to write about is one I have deemed important enough to dwell inside of and share with others. I am holding this moment up to the light and saying, "Wow, will you look at that?" Sarah Kay
writing gathering helping
It’s not just the adage ‘write what you know,’ it’s about gathering up all of the knowledge and experience you’ve collected up to now to help you dive into the things you don’t know. Sarah Kay
writing focus sorrow
I have always thought of poetry as an act of celebration. Just by nature of writing a poem you are taking the time to dwell on whatever it is that you're writing about...you can be celebrating anger, you can be celebrating sorrow... you are spending the time to focus and observe and try to understand the various parts of being human. Sarah Kay
writing thinking novelists
Copywriters, journalists, mainstream authors, ghostwriters, bloggers and advertising creatives have as much right to think of themselves as good writers as academics, poets, or literary novelists. Sara Sheridan
writing thinking assuming
Everyone assumes writers spend their time lounging around, writing and occasionally striking a pose whilst having a think. Sara Sheridan
writing needs
Writers need each other. Sara Sheridan
writing long people
The new contract between writers and readers is one I'm prepared to sign up to. I've met some fascinating people at events and online. Down with the isolation of writers I say! And long live Twitter. Sara Sheridan
writing thinking panic
Sometimes I panic and think I can't really write. Sara Paretsky
writing pages nine
It took me nine months to write 60 pages. It was very frustrating Sara Paretsky
writing self voice
I look at the great poets of the Soviet Union, like Anna Akhmatova, who endured far worse then anything we've seen or hopefully that we will ever see. If they could keep writing and keep a voice alive, keep people hopeful through their poetry, then I would be ashamed to stop and to give in. It would be really self-indulgent, unacceptable, and inexcusable to walk away from it. Sara Paretsky
writing care
Write what you care about. Sara Paretsky
writing years white
I spent 10 years as a marketing manager. I've found my experience in the financial world invaluable background for writing about white-collar crimes. Sara Paretsky
writing perfect degenerates
At this moment, the story in his head was perfect. He also knew from experience that it would degenerate the second he started typing, because such was the nature of writing. Sara Gruen
writing two brain
For me, writing for younger audiences and writing for adults uses two different halves of my brain. Sara Shepard
writing titles novel
I find coming up with a title the hardest part of writing a novel. Sara Shepard
writing kids home
Alan Alda and his wife Arlene are two of the most life-affirming people I've ever met. He espoused equal rights for women while producing, writing, acting in and directing 'MASH'; he used to commute between the set and home because he didn't want to disrupt his kids' schooling. Sanjeev Bhaskar
writing thinking people
People ask me what I'm writing. They think I'm Sandra Tsing Loh. Or they ask about stand-up. 'No, that's Margaret Cho.' I really think there is this kind of glomming, that they think we are somehow all the same person. Sandra Oh
writing storytelling appeals
Good storytelling appeals to me - good writing. Sanaa Lathan
writing excellence faults
The faults of great authors are generally excellences carried to an excess. Samuel Taylor Coleridge
writing people glory
The chief glory of every people arises from its authors. Samuel Johnson
writing men drunk
Nobody can write the life of a man but those who have eat and drunk and lived in social intercourse with him. Samuel Johnson
writing men good-man
Of riches it is not necessary to write the praise. Let it, however, be remembered that he who has money to spare has it always in his power to benefit others, and of such power a good man must always be desirous. Samuel Johnson
writing mind biographies
The parallel circumstances and kindred images to which we readily conform our minds are, above all other writings, to be found in the lives of particular persons, and therefore no species of writing seems more worthy of cultivation than biography. Samuel Johnson
writing fate names
There is nothing more dreadful to an author than neglect; compared with which reproach, hatred, and opposition are names of happiness; yet this worst, this meanest fate, every one who dares to write has reason to fear. Samuel Johnson
writing judging feelings
There are three distinct kind of judges upon all new authors or productions; the first are those who know no rules, but pronounce entirely from their natural taste and feelings; the second are those who know and judge by rules; and the third are those who know, but are above the rules. These last are those you should wish to satisfy. Next to them rate the natural judges; but ever despise those opinions that are formed by the rules. Samuel Johnson
writing curiosity age
The authors that in any nation last from age to age are very few, because there are very few that have any other claim to notice than that they catch hold on present curiosity, and gratify some accidental desire, or produce some temporary conveniency. Samuel Johnson
writing mind suffering
If an author be supposed to involve his thoughts in voluntary obscurity, and to obstruct, by unnecessary difficulties, a mind eager in the pursuit of truth; if he writes not to make others learned, but to boast the learning which he possesses himself, and wishes to be admired rather than understood, he counteracts the first end of writing, and justly suffers the utmost severity of censure, or the more afflicting severity of neglect. Samuel Johnson