Quotes about song
song past land
Cobbled streets and no shops open past six o'clock, a communal life that seemed to revolve around church, and where you could often hear bird song and nothing else: Gaia felt as though she had fallen through a portal into a land lost in time. J. K. Rowling
song grief
It was his own grief turned magically to song. J. K. Rowling
song grief phoenix
Somewhere out in the darkness, a phoenix was singing in a way Harry had never heard before: a stricken lament of terrible beauty. And Harry felt, as he had felt about phoenix song before, that the music was inside him, not without: It was his own grief turned magically to song.. J. K. Rowling
song eye magic
Everybody finished the song at different times. Dumbledore conducted their last few lines with his wand and when they had finished, he was one of those who clapped loudest. 'Ah music,' he said, wiping his eyes. 'A magic beyond all we do here! J. K. Rowling
song moving looks
If you look at a lot of the songs I've been involved in, there's always been this retro vibe. I started getting worried that I wasn't moving forward very much, nor was I even in tune with the music today. I almost scoffed at it. Nate Ruess
song powerful real
Lately I've been falling asleep listening to 'Common One' by Van Morrison, specifically the song 'Summertime in England.' It's 15 minutes long, so to make it through the entire song is a real task unto itself, but Van has that emotional payoff that makes even his most tiresome songs more powerful than most people's entire catalog. Nate Ruess
song writing people
It's the coolest part about writing music. I don't know how other people work, but so much is derived from some amalgamation of all these different songs that I love. That's why they jump all over the place. Nate Ruess
song writing simple
It's as simple as finding something on the street and then writing a jingle. If I'm driving and I have my turn signal on and it's rhythmic, maybe I just write a song to that. Nate Ruess
song queens light
The Queen and Electric Light Orchestra harmonies are so distinct and fit in our songs so well sometimes, but we don't know how to do them properly. Nate Ruess
song thinking talking
I think our particular sound has come by just not adhering to any specific sound. For us, it's about the song, and being able to fit in to what is appropriate. When we sit down, we're not talking about what type of band we're gonna be within a specific genre - there's a uniqueness to all of us individually that throws putting anything in a box out the window. Nate Ruess
song hate insane
As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest. Nate Ruess
song writing want
I don't want to be known for anything other than writing songs. Nate Ruess
song thinking important
If you can make the song a soundtrack to what you're living at the time, I think that's the most important part of a song. Nate Ruess
song hate night
I worry that if I enjoy something - like the songs on 'Some Nights' are about wondering about who you are. I'm never quite sure and I'd hate to feel sort of content and get a good sense of who I am because if I know one thing, that's not me. I don't mind not necessarily being happy about it. And that's fine. Nate Ruess
song optimism levels
There’s always some level of optimism in every single song. Nate Ruess
song writing play
I don't play an instrument - I just write in my head, and I usually hear fully formed songs. 'We Are Young' turned out so much like it was in my head. But it also exceeded all my expectations. Nate Ruess
song people looks
People say I look younger than the music I'm doing just because the songs are older. Hopefully I can keep my youthful look! Natalie Cole
song writing worst-moments
My song-writing has always been just about my life - usually my worst moments. Natalia Kills
song fun writing
The fun thing about song writing is that it's just creative. It can be whatever you want it to be. For me, I'm really protective of that. I'm not going to write something because I feel like it fits here or it fits there - I just want to write music that feels good to me. Kelsea Ballerini
song get-well grateful
I will be very grateful that I get to go out and play a song and get well paid for it. Kathy Valentine
song cds voice
There is a string attached to Maia Sharp's voice. And when she sings, you find that the other end is attached to your gut. Her voice is lush and sensual and the emotions she articulates resonate with the small feelings we have that sometimes are hard to face..there is an edge to her songs, but also a softness...she is lyrical and conversational at the same time. Her CD was the only one in my machine for a month. Her work inspires me to dig deeper. Kathy Mattea
song artist shining
I've come to understand my role. On some level, I provide the context for them to shine. I also know my role is the steward of the songs, and the center point, the artist that the stuff all revolves around. But I really try to honor that. Kathy Mattea
song badass self
Have a go-to pump up song. Mine is Shakira's 'Waka Waka' from the 2010 World Cup (don't judge). Play it only when you're ready to turn into your most badass self. Kathryn Minshew
song emotional connections
I always choose songs that I have an emotional connection to, and I often feel myself getting very emotional when I sing. Katherine Jenkins
song believe done
With 'Believe' bringing really big success for me outside of the U.K. for the first time, it meant I have been touring around the world and that led to a gap from the studio. I really feel like the gap has done me the world of good. Throughout that time I was able to collect songs that I really loved. Katherine Jenkins
song believe records
I have to believe that I know what's best for me. For instance, I choose all my songs. I never record anything I don't want to record. No one tells me what concerts to do. Katherine Jenkins
song driven always-working
I'm always working on lots of songs at once. For me it's very emotionally driven. Kate Brown
song real long
I find myself improvising a lot. But, sometimes I'll come us with a chorus or just one line and it will sort of hang out for a long time before it get's flushed out into a real living song... Kate Brown
song struggle writing
I think expression is at it's best when it comes from an honest place, so I always try to use my own life experiences, feelings, struggles, frustrations etc. as the catalyst for my song writing. Kate Brown
song writing might
It's funny when you write a song - it's easy for me now - but there's almost a second stage where you take control of the song. You start writing it, and if you're not careful, it just finishes itself and it might not be what you wanted. It's very strange, it takes over itself. It has its own life. Kate Bush
song nice compliment
Maybe if my songs feel personal, that's very nice. I like that. I take that as a great compliment. Kate Bush
song writing night
When I was first writing, I used to sit at the piano and play songs - I'd write one or two a night. It was my hobby. At some point, it then became a process that was mainly done within the context of the studio, and writing became part of the recording process. Kate Bush
song lonely morning
When I'm writing I've been playing something for a couple of hours and I'm almost in a trance. At two or three in the morning you can actually see bits of inspiration floating about and grab them...I think probably the only thing that is around in these songs is that I was really lonely when I wrote a lot of them. But it was really by my own choosing because I was devoting myself to songwriting and dancing and I wasn't really going out and seeing people. Kate Bush