Quotes about son
song writing guitar
My goal from the very beginning was just to write good songs that don't require any production to be felt or understood. I wanted to be able to sit in a room with a guitar and play the song from beginning to end and have it be as impactful as if you heard the studio version with all the bells and whistles. Madonna Ciccone
song fun ideas
I was working with Toby Gad, who spent a lot of time in India. There's a sitar [in "Body Shop"] and the song has a very Indian flavor to it. I liked the idea of the body of a car as a kind of sexual metaphor - What you do to a car, what you do in a car - drive. So, lots of innuendos, and lots of fun. Madonna Ciccone
song doubt
I don't doubt love for a second. I'm living for love. Listen to my songs! Madonna Ciccone
song writing sometimes
Sometimes I was in a mood to write a song as if I was writing in my journal and reveal certain parts of me that I was ready to reveal. Madonna Ciccone
song guitar play
My son youngest son David's favorite song - he plays guitar - and he likes "Devil Pray." That's his favorite. Madonna Ciccone
song writing kind
I didn't set out to write certain kinds of songs - I just set out to write good songs. Madonna Ciccone
song real cutting
Don't Cry Daddy is a pretty sad song. He got to the end of it and it was just real quiet and Elvis says, I'm gonna cut that someday for my daddy. And, by God, he did. He lived up to his word. Mac Davis
song growing-up kids
I had always wanted to write a song called, The Vicious Circle. I always thought it was like, the kids are born there, they grow up there, they die there. Mac Davis
song real goal
One of my real goals was to hear someone whistling a song I'd written. Mac Davis
song morning memories
There was a chance for me to write one song for the section where Elvis sat in his black leather outfit and sang the old hits. At eight oclock the next morning I had written Memories. Mac Davis
song inspiration giving
Try to take your vision and ego as far away from the song as possible. Give as much respect as you can to the song and the initial inspiration. M. Ward
song thinking voice
If you think of the way Howlin' Wolf made records, you get the feeling there wasn't a production manager onsite, or a publicist having his say on how he should sing the songs. When you listen to his records, you feel like you're tapping into his voice. M. Ward
song shapes want
I just want the songs to have the staying power as my favorite songs. If you listen to any Hank Williams song, when you're in a good mood, it's going to put you in a better mood. If you happen to be bummed-out, you're going to feel maybe a little more bummed-out and better at the same time. At any time in my life, his music has had meaning and value to me. If a song can shape-shift in that way, that's a sign of success. M. Ward
song years giving
I remember when I was 5 or 6 years old, gospel music felt familiar, like I had heard it in the womb or something. A lot of those old gospel songs still give me that feeling, that it's older than time and there's actually music that can tap into a universal subconscious, or whatever word you want to put on it. M. Ward
song listening age
From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded. M. Ward
song book annoyed
I get annoyed with movies or books, songs or records that deliberately try to make you feel a certain way. M. Ward
song player two
I don't like the way recording to digital sounds. Most of the time, when I'm recording to two-inch tape, I still have a romantic vision of how songs sounded coming out of the radio when I was younger, and how they sounded coming out of my little four-track cassette player. M. Ward
song fun way
It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point? M. Ward
song light way
The production process has a great way of bringing songs to light and that's a big part of it. M. Ward
song opportunity light
The songwriting style, to me, is superior... there was a certain amount of joy in it, no matter how sad the song is. You get joy in listening to these Buddy Holly or Roy Orbison sad lyrics. I'm attracted to songs that have balance between the darks and the lights and giving them all equal opportunity. M. Ward
song writing ideas
When I first started making music, it was learning other peoples songs and putting them onto four-track. Like Beatles songs and stuff. When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas. M. Ward
song couple order
In order to make a normal-sized record, a singer songwriter should have a couple dozen finished songs. Once they go through the process of production, the ones that scream out at you that they're finished are the ones that make the record. M. Ward
song writing magic-moments
It might be a meaningless moment, but those sparks that ignite the song.... It's mystical maybe, those magic moments. And to make music for a living, to perform these songs over and over, you have to safeguard those sparks. If you can do that, they'll last a lot longer... M. Ward
song giving perspective
I find that the time that goes by is actually your best friend when you are making a record. The passing of time gives you perspective on what you recorded and what you wrote. If something sounds good to you 12 months after you recorded it then chances are pretty good that there's something valuable about the part or the song. M. Ward
song philosophy records
My philosophy for producing a record is for everyone involved, including myself, to get out of the way of the song, and at the same time, listen to it as closely as you can, and listen to where the song wants to go. M. Ward
song matter matching
I've never used the word jamming. It's a matter of finding a great song and learning the chords, then slightly altering the vocal melody, and matching a classic chord progression with another chord progression. M. Ward
song believe personal-values
I believe in working with songs that have personal value for me. M. Ward
song people records
I always prefer other people's interpretations over my own, so I'm not very quick to make explicit what exactly a song or record is about. M. Ward
song thinking giving
I flood the Internet with what I think is quality content. That's why I did things like giving out a song every 100,000 Twitter followers because I am just looking for ways to get my fans to hear all this music without over saturating things. Mac Miller
song real rapper
I was never just a 'fill in 16 bars on a beat' rapper. I was making real songs from the jump. Mac Miller
song involved
Politics are always involved, even in my love songs. Lydia Lunch
song real writing
I'm not the kind of writer that can wake up and say, "Okay, I'm gonna write a song today," and have that song be the kind I would want to record. The songs of mine that I end up liking are songs that come from real experience. They're like chapter titles in my life. Lyle Lovett
song cutting records
I've been lucky to be able to make the records I've wanted to make. The record company has never pressured me to cut certain songs Lyle Lovett