Famous Quotes & Sayings

Colin Hay

I suppose ever since I was about 14, I remember listening to "Sgt. Pepper's," and I remember thinking, "how do you possibly write songs like that?" I remember starting to try and write songs around that age, but just sitting around with an acoustic guitar, and try to come up with ideas for songs, and that's just what I've done ever since. I just never really stopped doing that, I suppose.

Colin Hay

The Men at Work thing is always there, it's always going to be there. It's not something I consciously think that much about anymore. The thing that stays with you is the songs, which is a good thing for me, because the songs are the things that stand the test of time.

Colin Hay

I like the process of writing songs. It makes me feel good.

Colin Hay

I like to let the songs speak so that they can go through some kind of rebirth as you play them.

Colin Mochrie

Every song a hit, every hit a smack!

Bob Weir

Songs go through cycles for me. And sometimes I lose my passion for some of them.

Steve Forbert

For as long as I'm able to write songs and sing them, it's just about making them ones I feel proud to sing again and again.

We're trying to keep it fresh. The songs are never the same every night.

Billy Porter

For me, I really feel like if there's not a real, true connection to the material, I don't need to sing it. I don't need to sing songs just because I like them anymore. I've done that.

Brian Wilson

Probably not much of a song left in me, you know, if any, because I've written so many, some 250 songs or 300 or whatever it is.

Brownie McGhee

From then on in, me and Sonny started makin' records. My first records, Sonny was backin' me up. Sonny wasn't singin' natural at the time; he was singin' falsetto.

Billy Sherwood

I wrote songs with the guys from Air Supply for their record... So I was just writing songs.

Melissa Marr

Can I join you at lunch?" She paused. "You have every other day." He laughed, a sound as musical as the chiming song of the lupine fey when they ran. "Yes. But you resented it every other day." "What makes you think I won't resent it today?" "Hope. It's what I live on...

Orson Scott Card

O my son Absalom,' Bean said softly, knowing for the first time the kind of anguish that could tear such words from a man’s mouth. 'my son, my son Absalom. Would God I could die for thee, O Absalom, my son. My sons!

Paul Simon

Somewhere in a burst of glory / Sound becomes a song.

Paul Simon

Just slip out the back, Jack, make a new plan, Stan, you don't need to be coy, Roy, just get yourself free. Hop on the bus, Gus, you don't need to discuss much, just drop off the key, Lee, and get yourself free.

Paul Simon

Artie is a singer, and I'm a writer and player and a singer. We didn't work together on a creative level and prepare the songs. I did that.

Paul Simon

I think Bridge Over Troubled Water was a very good song. Artie sang it beautifully. The Boxer was a really nice record. But I don't think I've written any great songs.

Paul Simon

When I began making my own albums, the songs became funkier. They were more about the streets.

Paul Simon

I like them all. ... They're all pictures of me when I wrote them. ... I have no favorite songs.

Paul Simon

Cecilia was made in a living room on a Sony. It was like a little piece of magical fluff, bur it works. El Condor Pasa a Los Incas record that I love. Bridge is a very strong melodic song.

Paul Simon

By the time I was 12 or 13, I felt that I was special, because I could play the guitar and write songs.

Paul Simon

I see a correlation between short stories and songs, because of their length and for what they're meant to evoke. Combine certain words with melodies and it all becomes very moving.

Paul Simon

Not every song I write is ecstasy. And it can happen only one time. After that, when you sing the same melody and words, it's pleasure, but you don't get wiped out.

Paul Simon

I don't really know why an idea comes to me. But all of a sudden, an idea comes and from experience I can intuit what something means when an interesting line pops up. Or I can intuit what an interesting choice might be. And I can try a couple of different choices, and see which one feels right, and then continue the song to see where it goes.

Paul Simon

I really don't know what exactly all the songs mean. Sometimes other people have meanings and when I hear them I think, 'That's really a better meaning than I thought, and perfectly valid, given the words that exist.' So part of what makes a song really good is that people take in different meanings, and they apply them, and they might be more powerful than the ones I'm thinking.

Paul Simon

The abstract music is just more interesting because it doesn't really have anything to say, but if it is good, it creates thoughts and feelings, and I enjoy that. For me, once the music creates those thoughts and feelings, I begin to write a song about it.

Paul Simon

I like working with sound; sound and rhythm. I like the abstract more than "What does that mean?" Nobody ever says to you, "Why did you use a harmonium?" Or "What is that ringing sound that occurs here?" The questions are always "What does that song mean?" or "What were you trying to say here?"

Paul Simon

In the clearing stands the boxer, and a fighter by his trade. And he carries a reminder of every glove that laid him down... or cut him till he cried out in his anger and his shame "I am leaving! I am leaving" but the fighter still remains.

Rainer Maria Rilke

and I circle ten thousand years long; And I still don't know if I'm a falcon, a storm, or an unfinished song

Kurt Vonnegut

I have told my sons that they are not under any circumstances to take part in massacres, and that the news of massacres of enemies is not to fill them with satisfaction or glee. I have also told them not to work for companies which make massacre machinery, and to express contempt for people who think we need machinery like that.

Kurt Vonnegut

Here is a les­son in writ­ing. First rule: Do not use semi­colons. They are trans­ves­tite her­maph­ro­dites rep­re­sent­ing absolutely noth­ing. All they do is show you've been to col­lege.

William Shakespeare

Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rims at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chap-fallen?