Quotes about photography
photography talking done
Every time I talked about making a picture I didn't do it. I had already done it - talking about it! I quit talking. Harry Callahan
photography art real
In terms of art, the only real answer that I know of is to do it. If you don't do it, you don't know what might happen. Harry Callahan
photography people matter
It's the subject matter that counts. I'm interested in revealing the subject in a new way to intensify it. A photo is able to capture a moment that people can't always see. Harry Callahan
photography thinking expression
I realize that we all do express ourselves, but those who express that which is always being done are those whose thinking is almost in every way in accord with everyone else. Expression on this basis has become dull to those who wish to think for themselves. Harry Callahan
photography adventure life-is
Photography is an adventure just as life is an adventure. Harry Callahan
photography adventure men
Photography is an adventure just as life is an adventure. If man wishes to express himself photographically, he must understand, surely to a certain extent, his relationship to life. Harry Callahan
photography book simple
To be a photographer, one must photograph. No amount of book learning, no checklist of seminars attended, can substitute for the simple act of making pictures. Harry Callahan
photography shots
I guess I've shot about 40,000 negatives and of these I have about 800 pictures I like. Harry Callahan
photography adventure people
I wish more people felt that photography was an adventure the same as life itself and felt that their individual feelings were worth expressing. To me, that makes photography more exciting. Harry Callahan
photography lying accessories
The camera cannot lie, but it can be an accessory to untruth. Harold Evans
photography children distance
Nudity in photography, whether involving adults or children, is a subject sinking under a freight of political and moral disapproval it could never hope to support, and this is not the place for me to get out the bilge pump. I will only say that critics who tremble so fiercely at the thought of the voyeuristic male gaze miss the point that distance generates mystery and enchantment, and expresses the awe with which the male imagination regards all women. J. G. Ballard
photography book mean
I mean, there are peripheral things I do, I do photography, I write plays, I have books published, but that's neither here not there. Lou Reed
photography intimate-moments learning-something-new
I found that the camera was a comforting companion. It opened up new worlds, and gave me access to people's most intimate moments. I discovered the privilege of seeing life in all its complexity, the thrill of learning something new every day. When I was behind a camera, it was the only place in the world I wanted to be. Lynsey Addario
photography thinking people
People think photography is about photographing. To me, it’s about relationships. Lynsey Addario
photography dog choices
A reader, encountering a sentence about a barking dog, would have to dwell on why that choice was made at that moment. Everything in a novel is explicitly chosen, whereas some of what a film captures feels incidental, according to the vagaries of photography and sound recording. Jonathan Lethem
photography moving thinking
I don't know whether we think in moving images or whether we think in still images. I have a suspicion that on our hard drive, our series within our brains, [exist] still photographs of very important moments in our lives. ... That we think in terms of still images and that what the photography is doing is making direct contact with the human hard drive and recording for all time a sense of what happened. Jon Snow
photography eye thanks
Thanks to photography, the eye grew accustomed to anticipate what it should see and to see it; and it learned not to see nonexistent things which, hitherto, it had seen so clearly. Paul Valery
photography letters moments
From the moment that photography appeared, the descriptive genre began to invade Letters... In verse as in prose the décor and exterior aspects of life took an almost excessive place. Paul Valery
photography simple historical-knowledge
The mere notion of photography, when we introduce it into our meditation on the genesis of historical knowledge and its true value, suggests the simple question: Could such and such a fact, as it is narrated here, have been photographed? Paul Valery
photography giving-up giving
Photography invites one to give up any attempt to delineate such things as can delineate themselves. Paul Valery
photography names vision
To see is to forget the name of the thing one sees. Paul Valery
photography mean people
Look at the things around you, the immediate world around you. If you are alive, it will mean something to you, and if you care enough about photography, and if you know how to use it, you will want to photograph that meaningness. If you let other people's vision get between the world and your own, you will achieve that extremely common and worthless thing, a pictorial photograph. Paul Strand
photography honesty expression
The photographer's problem is to see clearly the limitations and at the same time the potential qualities of his medium, for it is precisely here that honesty no less than intensity of vision is the pre-requisite of a living expression. The fullest realization of this is accomplished without tricks of process or manipulation, through the use of straight photographic methods. Paul Strand
photography thinking self
Did I express my personality? I think that's quite unimportant because it's not people's selves but what they have to say about life that's important. Paul Strand
photography moving goal
Photography is only a new road from a different direction, but moving toward the common goal, which is life. Paul Strand
photography expression vision
Photography... is either an expression of a cosmic vision, an embodiment of a life movement or it is nothing - to me. (1919) Paul Strand
photography law kitchen
I don't care how you photograph - use the kitchen mop if you must, but if the product is not true to the laws of photography... you have produced something that is dead. (1923) Paul Strand
photography wall real
Every artist I suppose has a sense of what they think has been the importance of their work. But to ask them to define it is not really a fair question. My real answer would be, the answer is on the wall. Paul Strand
photography use research
I've always wanted to be aware of what's going on around me, and I've wanted to use photography as an instrument of research into and reporting on the life of my own time. Paul Strand
photography essence objectivity
Objectivity is of the very essence of photography, its contribution and at the same time its limitation Paul Strand
photography rain taken
Cartier-Bresson has said that photography seizes a 'decisive moment', that's true except that it shouldn't be taken too narrowly...does my picture of a cobweb in the rain represent a decisive moment? The exposure time was probably three or four minutes. That's a pretty long moment. I would say the decisive moment in that case was the moment in which I saw this thing and decided I wanted to photograph it. Paul Strand
photography law two
And if you can find out something about the laws of your own growth and vision as well as those of photography you may be able to relate the two, create an object that has a life of its own, which transcends craftsmanship. That is a long road, and because it must be your own road nobody can teach it to you or find it for you. There are no shortcuts, no rules. Paul Strand
photography people profound
Your photography is a record of your living - for anyone who really sees. You may see and be affected by other people's ways, you may even use them to find your own, but you will have eventually to free yourself of them. That is what Nietzche meant when he said, 'I have just read Schopenhauer, now I have to get rid of him.' He knew how insidious other people's ways could be, particularly those which have the forcefulness of profound experience, if you let them get between you and your own personal vision. Paul Strand