Famous Quotes & Sayings

Sebastiao Salgado

Of course I will continue photography. I love photography. But when you become old, it's too much.

Sebastiao Salgado

As in any person's life, there have been difficult moments: I have a son with Down's syndrome; through my photography, I have witnessed all manner of human degradation. But there have also been very happy moments.

Sebastiao Salgado

Most of the information we now get is through television and is mutilated. Photography offers the opportunity to spend much more time on a topic. It's relatively cheaper medium, and can allow a photographer really to live in another place, show another reality, get closer to the truth.

Sebastiao Salgado

...my way of photographing is my way of life. I photograph from my experience, my way of seeing things...

Sebastiao Salgado

I have tried to bring about better communication between people. I believe that humanitarian photography is like economics. Economy is a kind of sociology, as is documentary photography.

Sebastiao Salgado

In the end, the only heritage we have is our planet, and I have decided to go to the most pristine places on the planet and photograph them in the most honest way I know, with my point of view, and of course it is in black and white, because it is the only thing I know how to do.

Sebastiao Salgado

I'm not a religious person. The language of photography is symbolic.

Sebastiao Salgado

For me, art is such a wide concept - anything can be art.

Sebastiao Salgado

So many times I've photographed stories that show the degradation of the planet. I had one idea to go and photograph the factories that were polluting, and to see all the deposits of garbage. But, in the end, I thought the only way to give us an incentive, to bring hope, is to show the pictures of the pristine planet - to see the innocence.

Sebastiao Salgado

I work alone. Humans are incredible, because when you come alone, they will receive you, they accept you, they protect you, they give you all things that you need, and they teach you all things you must know. When you come with two persons or three persons, you have a group in front of them. They don't discuss with the new persons what is important to them...

Sebastiao Salgado

I don't want anyone to appreciate the light or the palette of tones. I want my pictures to inform, to provoke discussion - and to raise money.

Sebastiao Salgado

We are one human race, and there must be understanding among all men. For those who look at the problems of today, my big hope is that they understand. That they understand that the population is quite big enough, that they must be informed that they must have economic development, that they must have social development, and must be integrated into all parts of the world.

Sebastiao Salgado

I try with my pictures to raise a question, to provoke a debate, so that we can discuss problems together and come up with solutions.

Sebastiao Salgado

Photography is full of symbolism, it's a symbolic language. You have to be able to materialize all your thoughts in one single image.

Sebastiao Salgado

I have a way to photograph. You work with space, you have a camera, you have a frame, and then a fraction of a second. It's very instinctive. What you do is a fraction of a second, it's there and it's not there. But in this fraction of a second comes your past, comes your future, comes your relation with people, comes your ideology, comes your hate, comes your love - all together in this fraction of a second, it materializes there.

Sebastiao Salgado

I'm not an artist. An artist makes an object. Me, it's not an object, I work in history, I'm a storyteller.

Sebastiao Salgado

The language that photography has is a formal language. Any photographer is doing something formal. If it's formal, then it must be an aesthetic way to communicate.

Sebastiao Salgado

It's more important for a photographer to have very good shoes, than to have a very good camera

L. Ron Hubbard

Lifes light. Life is light. You can make light do anything you want to. Photography means 'light writing'.

Lewis Mumford

As for the various kinds of montage photography, they are in reality not photography at all but a kind of painting in which photography is used - as pastiches of textiles are used in crazy-quilts - to form a mosaic. Whatever value the montage may have derives from painting rather than the camera.

Leonard Nimoy

I have a Master's Degree in photography as a fine art, and I would call my work primarily conceptual. I don't carry cameras with me wherever I go. I get an idea of a subject matter I want to deal with and I pull out my cameras

Leonard Nimoy

That's true, because I'm a photographer now.

Leonard Nimoy

I became enamored with photography when I was about 13 or 14 years old. I've been at it ever since. I studied seriously in the '70s

Leonard Nimoy

I became involved in photography when I was about thirteen years old.

Leonard Nimoy

I've been working with photography for many years.

Leonard Nimoy

I've been doing photography in one form or another for, oh golly, over seventy years. I don't carry cameras. I used to. For many years I carried cameras wherever I went. Photograph whatever I saw that was of interest. In the last years, I've only used cameras to explore thematic ideas which presented themselves first. And then bring out the cameras to try to explore that idea.

Leonard Nimoy

I've enjoyed photography, ever since I was a teenager, and I'm still at it. I've had shows in various cities, around the country, and I have a number of pieces in permanent collections in museums that I'm very proud of.

Leonard Nimoy

Essentially, in photography, I think on two levels: one emotional and the other technical. The emotional impact has to do with looking for something dramatic happening in the photograph, something that reaches out and touches somebody in some way. And the technical is having to do with composition and framing - light and dark, light and shadow.

Leonard Nimoy

For a period of time, I carried cameras with me wherever I went, and then I realized that my interest in photography was turning toward the conceptual. So I wasn't carrying around cameras shooting stuff, I was developing concepts about what I wanted to shoot. And then I'd get the camera angle and do the job

Leonard Nimoy

It is important to understand what are you trying to capture with a camera. What you want to use this tool for. It helps to begin to search for and concentrate on thematic photography.

Larry Clark

I've been a photographer for my whole life and I've done everything with photography that I felt I could do, and I always wanted to be a filmmaker.

Larry Clark

For me there are no rules. I think I learned that from artists-from painters and sculptors. It took photography a while to catch up to them.

Neil Postman

The problem in the 19th century with information was that we lived in a culture of information scarcity, and so humanity addressed that problem beginning with photography and telegraphy and the - in the 1840s. We tried to solve the problem of overcoming the limitations of space, time, and form.