Quotes about photograph
photography essence objectivity
Objectivity is of the very essence of photography, its contribution and at the same time its limitation Paul Strand
photography rain taken
Cartier-Bresson has said that photography seizes a 'decisive moment', that's true except that it shouldn't be taken too narrowly...does my picture of a cobweb in the rain represent a decisive moment? The exposure time was probably three or four minutes. That's a pretty long moment. I would say the decisive moment in that case was the moment in which I saw this thing and decided I wanted to photograph it. Paul Strand
photography law two
And if you can find out something about the laws of your own growth and vision as well as those of photography you may be able to relate the two, create an object that has a life of its own, which transcends craftsmanship. That is a long road, and because it must be your own road nobody can teach it to you or find it for you. There are no shortcuts, no rules. Paul Strand
photography people profound
Your photography is a record of your living - for anyone who really sees. You may see and be affected by other people's ways, you may even use them to find your own, but you will have eventually to free yourself of them. That is what Nietzche meant when he said, 'I have just read Schopenhauer, now I have to get rid of him.' He knew how insidious other people's ways could be, particularly those which have the forcefulness of profound experience, if you let them get between you and your own personal vision. Paul Strand
photography important world
The important thing is, you have to have something important to say about the world. Paul Strand
photography humanness-is people
It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness. Paul Strand
photography records photographer
Your photography is a record of your living, for anyone who really sees. Paul Strand
photography records made
Moreover, photography has made it possible to fix these images and now provides us with a permanent record of each observed spectrum, which can be measured out at any time. Pieter Zeeman
photography groups produce
Photography itself is most frequently nothing but the reproduction of the image that a group produces of its own integration. Pierre Bourdieu
photography reality objectivity
In stamping photography with the patent of realism, society does nothing but confirm itself in the tautological certainty that an image of reality that conforms to its own representation of objectivity is truly objective. Pierre Bourdieu
photography art reality
No photographer should be blamed when, instead of capturing reality, he tries to show things he has seen only in his imagination. Photography is the youngest art form. All attempts to enlarge its frontiers are important and should be encouraged. Philippe Halsman
photography firsts prostitution
I drifted into photography like one drifts into prostitution. First I did it to please myself, then I did it to please my friends, and eventually I did it for the money. Philippe Halsman
photographer
I never thought I would become a photographer.
photography heart eye
On digital photography: It's fantastic, but it's not a freebie for anything. You still have to have this (he points to his eyes), and this (points to his heart), and feet.
photography black-and-white nostalgia
To some extent, the cult surrounding black-and-white photography is based on nostalgia.
photography technology avid
As an avid photographer, I also took advantage of the latest technology in photography - digital photography - to post photos on my website on a daily basis. Tipper Gore
photography art records
Art does not in fact prove anything. What it does do is record one of those brief times, such as we each have and then each forget, when we are allowed to understand that the Creation is whole. Robert Adams
photography silence compelling
Among the most compelling truths in some of the early photographs is their implication of silence. Robert Adams
photography space littles
Little wonder that we. . .find the old pictures of openness - pictures usually without any blur, and made by what seems a ritual of patience - wonderful. They restore to us knowledge of a place we seek but lose in the rush of our search. Though to enjoy even the pictures, much less the space itself, requires that we be still longer than is our custom. Robert Adams
photography firsts photographer
Timothy O'Sullivan was, it seems to me, the greatest of the photographers because he understood nature first as architecture. Robert Adams
photography art discovery
. . .art is a discovery of harmony, a vision of disparities reconciled, or shape beneath confusion. Robert Adams
photography running mistake
Nature photography... that acknowledges what is wrong, is admittedly sometimes hard to bear - it has to encompass our mistakes. Yet in the long run, it is important; in order to endure our age of apocalypse, we have to be reconciled not only to avalanche and hurricane, but to ourselves. Robert Adams
photography invention instance
Invention in photography is so laborious as to be in most instances perverse. Robert Adams
photographer tension
The photographer hopes, in brief, to discover a tension so exact that it is peace. Robert Adams
photography faithful records
...I felt that photography ought to start with and remain faithful to the appearance of the world, and in so doing record contradictions. The greatest pictures would then... find wholeness in the torn world. Robert Adams
photography thinking artist
Part of the reason that these attempts at explanation fail, I think, is that photographers, like all artists, choose their medium because it allows them the most fully truthful expression of their vision... as Robert Frost told a person who asked him what one of his poems meant, 'You want me to say it worse?' Robert Adams
photography reality views
... If we consider the difference between William Henry Jackson packing in his camera by mule, and the person stepping for a moment from his car to take a picture with his Instamatic, it becomes clear how some of our space has vanished; if the time it takes to cross space is a way by which we define it, then to arrive at a view of space 'in no time' is to have denied its reality. Robert Adams
photography thinking landscape
We rely, I think, on landscape photography to make intelligible to us what we already know. Robert Adams
photography art landscape
There is always a subjective aspect in landscape art, something in the picture that tells us as much about who is behind the camera as about what is in front of it. Robert Adams
photography quality alive
If I like many photographers, and I do, I account for this by noting a quality they share - animation. They may or may not make a living by photography, but they are alive by it. Robert Adams
photography jobs views
The job of the photographer, in my view, is not to catalogue indisputable fact but to try to be coherent about intuition and hope. This is not to say that he is unconcerned with the truth. Robert Adams
photography taken thinking
Landscape pictures can offer us, I think, three verities: geography, autobiography, and metaphor. Geography is, if taken alone, sometimes boring, autobiography is frequently trivial, and metaphor can be dubious. But taken together, as in the best work of people like Alfred Stieglitz and Edward Weston, the three kinds of information strengthen each other and reinforce what we all work to keep intact - the affection for life. Robert Adams
photography achievement doe
When photographers get beyond copying the achievements of others, or just repeating their own accidental first successes, they learn that they do not know where in the world they will find pictures. Nobody does. Each photograph that works is a revelation to its supposed creator. Robert Adams