Quotes about photograph
photography moving goal
Photography is only a new road from a different direction, but moving toward the common goal, which is life. Paul Strand
photography expression vision
Photography... is either an expression of a cosmic vision, an embodiment of a life movement or it is nothing - to me. (1919) Paul Strand
photography law kitchen
I don't care how you photograph - use the kitchen mop if you must, but if the product is not true to the laws of photography... you have produced something that is dead. (1923) Paul Strand
photography wall real
Every artist I suppose has a sense of what they think has been the importance of their work. But to ask them to define it is not really a fair question. My real answer would be, the answer is on the wall. Paul Strand
photography use research
I've always wanted to be aware of what's going on around me, and I've wanted to use photography as an instrument of research into and reporting on the life of my own time. Paul Strand
photography essence objectivity
Objectivity is of the very essence of photography, its contribution and at the same time its limitation Paul Strand
photography rain taken
Cartier-Bresson has said that photography seizes a 'decisive moment', that's true except that it shouldn't be taken too narrowly...does my picture of a cobweb in the rain represent a decisive moment? The exposure time was probably three or four minutes. That's a pretty long moment. I would say the decisive moment in that case was the moment in which I saw this thing and decided I wanted to photograph it. Paul Strand
photography law two
And if you can find out something about the laws of your own growth and vision as well as those of photography you may be able to relate the two, create an object that has a life of its own, which transcends craftsmanship. That is a long road, and because it must be your own road nobody can teach it to you or find it for you. There are no shortcuts, no rules. Paul Strand
photography people profound
Your photography is a record of your living - for anyone who really sees. You may see and be affected by other people's ways, you may even use them to find your own, but you will have eventually to free yourself of them. That is what Nietzche meant when he said, 'I have just read Schopenhauer, now I have to get rid of him.' He knew how insidious other people's ways could be, particularly those which have the forcefulness of profound experience, if you let them get between you and your own personal vision. Paul Strand
photography important world
The important thing is, you have to have something important to say about the world. Paul Strand
photography humanness-is people
It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness. Paul Strand
photography records photographer
Your photography is a record of your living, for anyone who really sees. Paul Strand
photography records made
Moreover, photography has made it possible to fix these images and now provides us with a permanent record of each observed spectrum, which can be measured out at any time. Pieter Zeeman
photography groups produce
Photography itself is most frequently nothing but the reproduction of the image that a group produces of its own integration. Pierre Bourdieu
photography reality objectivity
In stamping photography with the patent of realism, society does nothing but confirm itself in the tautological certainty that an image of reality that conforms to its own representation of objectivity is truly objective. Pierre Bourdieu
photography art reality
No photographer should be blamed when, instead of capturing reality, he tries to show things he has seen only in his imagination. Photography is the youngest art form. All attempts to enlarge its frontiers are important and should be encouraged. Philippe Halsman
photography firsts prostitution
I drifted into photography like one drifts into prostitution. First I did it to please myself, then I did it to please my friends, and eventually I did it for the money. Philippe Halsman
photography taken expression
I started photography more or less by accident when I was already 27. I was taken on as an assistant by a photographer who was a friend of a friend and I very quickly understood the potential of expression in photography. Peter Lindbergh
photography fashion falling-in-love
In 1990 I did a story with Helena Christensen about a woman who lives in a trailer in the middle of the desert and finds a little crushed UFO with a martian who has survived the crash. She takes him home, and they fall in love. Later he has to meet with his fellow martians who have arrived to rescue him. It's a sad ending. This was my first truly narrative story and apparently the first narrative story in fashion photography. Peter Lindbergh
photography reality affair
Photography is no longer a love affair with the beauty of reality. Peter Lindbergh
photography art thinking
Now people ask whether photography is art, but I think the question is of absolutely no interest. Peter Lindbergh
photography art titles
The discussion about whether photography is or isn't art is dated and of no interest. Your work makes you an artist, not your title. Peter Lindbergh
photography believe inspiration
I believe that the source of your inspiration is very important. I sometimes see this problem with photographers, even very good ones, who have drawn too much inspiration from photography and who, over time, have a problem forming their own identity. Peter Lindbergh
photography opportunity giving
Photography gives you the opportunity to use your sensibility and everything you are to say something about and be part of the world around you. In this way, you might discover who you are, and with a little luck, you might discover something much larger than yourself. Peter Lindbergh
photography portraits painting
Photography freed painting from a lot of tiresome chores, starting with family portraits. Pierre-Auguste Renoir
photography art school
I wanted to transfer to an art school, and ended up going to the University of Southern California. They had a cinematography school, and I said "Well, that's sort of like photography, maybe that will be interesting." And once I started in that department, I found what it was that I loved and was good at. George Lucas
photography school race
I wanted to be a car mechanic and I wanted to race cars and the idea of trying to make something out of my life wasn't really a priority. But the accident allowed me to apply myself at school. I got great grades. Eventually I got very excited about anthropology and about social sciences and psychology, and I was able to push my photography even further and eventually discovered film and film schools. George Lucas
photography art school
I was going to go to a four-year college and be an anthropologist or to an art school and be an illustrator when a friend convinced me to learn photography at the University of Southern California. Little did I know it was a school that taught you how to make movies! It had never occurred to me that I'd ever have any interest in filmmaking. George Lucas
photography stars war
For 'Star Wars' I had to develop a whole new idea about special effects to give it the kind of kinetic energy I was looking for. I did it with motion-control photography. George Lucas
photography crazy mean
I loved photography and everybody said it was a crazy thing to do because in those days nobody made it into the film business. I mean, unless you were related to somebody there was no way in. George Lucas
photography fashion guitar
I love to play the guitar. I also love photography and fashion. Emily Osment
photography eye simple
Something catches your eye, or your interest. You attack it in some way or observe it in some way, and try to put it in some kind of form and take a picture. It's as simple as that. Elliott Erwitt
photography want position
Working myself into a position of total versatility, so that I can do anything I want to do at the time I want to do it. Whether I do it or not is another question. Elliott Erwitt