Quotes about photograph
photography taken people
You can't teach people photography, they've got to learn how to do it the best way possible for them. They can learn from looking at pictures taken by well-known people, but they don't really get intimate with the medium until they've made a few bad shots! Cecil Beaton
photography taken take-me
I didnt know photography would take me to the places that it has taken me Carrie Mae Weems
photography powerful believe
Photography can still be used to champion activism and change. I believe this, even while standing in the cool winds of postmodernism... Postmodernism looked radical, but it wasn't. As a movement it was profoundly liberal and became a victim of itself. Precisely at this historical moment, when multicultural democracy is the order of the day, photography can be used as a powerful weapon toward instituting political and cultural change. I for one will continue to work toward this end. Carrie Mae Weems
photography memories mean
He sought a way to preserve the past. John Hershel was one of the founders of a new form of time travel.... a means to capture light and memories. He actually coined a word for it... photography. When you think about it, photography is a form of time travel. This man is staring at us from across the centuries, a ghost preserved by light. Carl Sagan
photography book friendly
The clue to book jacket photography is to look friendly and approachable, but not too glamorous. Antonia Fraser
photography design video
Apart from photography and music videos, I also do graphic design. Anton Corbijn
photography simple balance
The really simple approach to photography is a great balance to making the films. Anton Corbijn
photography thinking two
I don't think I treat my film work as an extension of my photography. There are two different sets of rules there. Anton Corbijn
photography america people
My photography is very European. In America, I always get the sense that people are comforted by understanding what they're looking at. Photography's quite clear here [in the U.S.], it's very well-explained. My photography's perhaps not as well-explained. Anton Corbijn
photography people lucky
With photography, you are lucky if you get people to look at your pictures at some point. There's no formal way to show them. Anton Corbijn
photography taken isolation
Photography has taken me from isolation. Anton Corbijn
photography
Photography was the only thing that mattered in my life and I gave it everything. Anton Corbijn
photography heart eye
The essential things in life are seen, not with the eyes but with the heart. Antoine de Saint-Exupery
photography simple often-is
I am not very interested in extraordinary angles. They can be effective on certain occasions, but I do not feel the necessity for them in my own work. Indeed, I feel the simplest approach can often be most effective. A subject placed squarely in the center of the frame, if attention is not distracted from it by fussy surroundings, has a simple dignity which makes it all the more impressive. Bill Brandt
photography believe emotional
But I did not always know just what it was I wanted to photograph. I believe it is important for a photographer to discover this, for unless he finds what it is that excites him, what it is that calls forth at once an emotional response, he is unlikely to achieve his best work. Bill Brandt
photography opportunity thinking
By temperament I am not unduly excitable and certainly not trigger-happy. I think twice before I shoot and very often do not shoot at all. By professional standards I do not waste a lot of film; but by the standards of many of my colleagues I probably miss quite a few of my opportunities. Still, the things I am after are not in a hurry as a rule. Bill Brandt
photography lying believe
If there is any method in the way I take pictures, I believe it lies in this: See the subject first. Do not try to force it to be a picture of this, that or the other thing. Stand apart from it. Then something will happen. The subject will reveal itself. Bill Brandt
photography finals essentials
I consider it essential that the photographer should do his own printing and enlarging. The final effect of the finished print depends so much on these operations. Bill Brandt
photography waiting luck
Sometimes they are a matter of luck; the photographer could not expect or hope for them. Sometimes they are a matter of patience, waiting for an effect to be repeated that he has seen and lost or for one that he anticipates. Bill Brandt
photography eye thinking
It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures. A feeling for composition is a great asset. I think it is very much a matter of instinct. It can perhaps be developed, but I doubt if it can be learned. To achieve his best work, the young photographer must discover what really excites him visually. He must discover his own world. Bill Brandt
photographer produce distinction
The good photographer will produce a competent picture every time whatever his subject. But only when his subject makes and immediate and direct appeal to his own interests will he produce a work of distinction. Bill Brandt
photography paper shade
No amount of toying with shades of print or with printing papers will transform a commonplace photograph into anything other than a commonplace photograph. Bill Brandt
photography dark light
And only the photographer himself knows the effect he wants. He should know by instinct, grounded in experience, what subjects are enhanced by hard or soft, light or dark treatment. Bill Brandt
photography dare mediums
Photography is still a very new medium and everything must be tried and dare. Bill Brandt
photography philosophy mean
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world. Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today. The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in. Berenice Abbott
photography years age
Abstraction in photography is ridiculous, and is only an imitation of painting. We stopped imitating painters a hundred years ago, so to imitate them in this day and age is laughable. Berenice Abbott
photographer impressed havens
I haven't seen too many images that have impressed me! Berenice Abbott
photography hangover looks
What to me is anathema - a corpse-like, outmoded hangover - is for photography to be a bad excuse for another medium. ... Is not photography good enough in itself, that it must be made to look like something else, supposedly superior? Berenice Abbott
photography space vision
The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens' vision are esthetically often a virtue. Berenice Abbott
photography ideas people
I wanted to combine science and photography in a sensible, unemotional way. Some people’s ideas of scientific photography is just arty design, something pretty. That was not the idea. The idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it. Berenice Abbott
photography real believe
I believe there is no more creative medium than photography to recreate the living world of our time...Photography gladly accepts the challenge because it is at home in its element: namely, realism-real life-the now. Berenice Abbott
photography art years
Photography was the medium preeminently qualified to unite art with science. Photography was born in the years which ushered in the scientific age, an offspring of both science and art. Berenice Abbott
photograph fine documents
I have yet to see a fine photograph which is not a good document. Berenice Abbott